All episodes Season 3 S03E37 1989-05-27 30 min 1980s Syndication

At the Movies

Indiana Jones and the Last Crusade/Miracle Mile/Pink Cadillac/Road House/Scenes from the Class Struggle in Beverly Hills

TV Flash files “Indiana Jones and the Last Crusade/Miracle Mile/Pink Cadillac/Road House/Scenes from the Class Struggle in Beverly Hills” as hour 124 of 616 in the TV Flash guide — At the Movies (1982–1990) on Syndication, season 3, episode 37, aired 1989-05-27, 30 min.

From the desk

How this hour is filed

This leaf is S03E37: listed hour 124 of 616 in the At the Movies guide, hour 37 of 49 in season 3. It aired 1989-05-27 (30 min). The listed hour before it is “Hail, Hail, Black and White” (S03E36). Next is “The Movies That Made Us Critics 1989” (S03E38). Broadcast log — titles and dates, not a plot bible.

At the Movies still
No original recap on file. TV Flash does not invent plots for missing hours. Title, airdate, and the hour filing above are the magazine record for this leaf.

Viewer FAQ

Where does Indiana Jones and the Last Crusade/Miracle Mile/Pink Cadillac/Road House/Scenes from the Class Struggle in Beverly Hills sit in the At the Movies guide?

S03E37 is listed hour 124 of 616 — hour 37 of 49 in season 3, season 3 episode 37.

When did At the Movies S03E37 air?

Indiana Jones and the Last Crusade/Miracle Mile/Pink Cadillac/Road House/Scenes from the Class Struggle in Beverly Hills aired 1989-05-27 and is listed at 30 minutes.

Is this the same as Sneak Previews?

Related Chicago-critics lineage; this syndicated 1982–1990 run (under various official titles) is the thumbs-as-shorthand era people mean by At the Movies. Balcony, barbs, mass criticism.

In the series

Why this series still plays

Two thumbs up: Gene Siskel and Roger Ebert turn newspaper rivalry into appointment film talk — balcony seats, clipped verdicts, and fights that were half the entertainment. Syndication made serious criticism mass. The argument as format: two Chicago men teaching America it was allowed to have taste, and to disagree on camera.

The balcony is the silhouette. Syndicated 1982–1990 under various official titles: Chicago critics debate new releases with clips, barbs, and binary thumb verdicts — two thumbs up, newspaper rivals as appointment film talk. At the Movies is Gene Siskel and Roger Ebert as celebrity critics: balcony seats, clipped verdicts, fights that were half the entertainment. The thumbs system became cultural shorthand. Serious criticism made mass. The argument as format. *Balcony as civic furniture, a thumb as the accessory…

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Filed against

Also in season 3

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