All episodes Season 5 S05E48 1991-08-31 30 min 1980s Syndication

At the Movies

Dead Again/True Identity/Harley Davidson and the Marlboro Man/Defenseless/The Pope Must Die

TV Flash files “Dead Again/True Identity/Harley Davidson and the Marlboro Man/Defenseless/The Pope Must Die” as the last listed hour of season 5 — At the Movies (1982–1990) on Syndication, season 5, episode 48, aired 1991-08-31, 30 min.

From the desk

How this hour is filed

This leaf is S05E48: listed hour 231 of 616 in the At the Movies guide, last listed hour of season 5. It aired 1991-08-31 (30 min). The listed hour before it is “Barton Fink/Double Impact/Sex, Drugs, Rock & Roll/Pure Luck/The Commitments” (S05E47). Next is “Dogfight/Late for Dinner/Rambling Rose/Blood & Concrete” (S06E01). Broadcast log — titles and dates, not a plot bible.

At the Movies still
No original recap on file. TV Flash does not invent plots for missing hours. Title, airdate, and the hour filing above are the magazine record for this leaf.

Viewer FAQ

Where does Dead Again/True Identity/Harley Davidson and the Marlboro Man/Defenseless/The Pope Must Die sit in the At the Movies guide?

S05E48 is listed hour 231 of 616 — last listed hour of season 5, season 5 episode 48.

When did At the Movies S05E48 air?

Dead Again/True Identity/Harley Davidson and the Marlboro Man/Defenseless/The Pope Must Die aired 1991-08-31 and is listed at 30 minutes.

Is this the same as Sneak Previews?

Related Chicago-critics lineage; this syndicated 1982–1990 run (under various official titles) is the thumbs-as-shorthand era people mean by At the Movies. Balcony, barbs, mass criticism.

In the series

Why this series still plays

Two thumbs up: Gene Siskel and Roger Ebert turn newspaper rivalry into appointment film talk — balcony seats, clipped verdicts, and fights that were half the entertainment. Syndication made serious criticism mass. The argument as format: two Chicago men teaching America it was allowed to have taste, and to disagree on camera.

The balcony is the silhouette. Syndicated 1982–1990 under various official titles: Chicago critics debate new releases with clips, barbs, and binary thumb verdicts — two thumbs up, newspaper rivals as appointment film talk. At the Movies is Gene Siskel and Roger Ebert as celebrity critics: balcony seats, clipped verdicts, fights that were half the entertainment. The thumbs system became cultural shorthand. Serious criticism made mass. The argument as format. *Balcony as civic furniture, a thumb as the accessory…

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