All episodes Season 8 S08E29 1994-03-26 30 min 1980s Syndication

At the Movies

Four Weddings and a Funeral/The Cement Garden/Above the Rim/Raining Stones/The Wonderful Horrible Life of Leni Riefenstahl

TV Flash files “Four Weddings and a Funeral/The Cement Garden/Above the Rim/Raining Stones/The Wonderful Horrible Life of Leni Riefenstahl” as hour 352 of 616 in the TV Flash guide — At the Movies (1982–1990) on Syndication, season 8, episode 29, aired 1994-03-26, 30 min.

From the desk

How this hour is filed

This leaf is S08E29: listed hour 352 of 616 in the At the Movies guide, hour 29 of 47 in season 8. It aired 1994-03-26 (30 min). The listed hour before it is “Naked Gun 33 1/3: The Final Insult/Monkey Trouble/The Paper/Bitter Moon/Savage Nights” (S08E28). Next is “Jimmy Hollywood/Thumbelina/The House of the Spirits/Major League II/D2: The Mighty Ducks” (S08E30). Broadcast log — titles and dates, not a plot bible.

At the Movies still
No original recap on file. TV Flash does not invent plots for missing hours. Title, airdate, and the hour filing above are the magazine record for this leaf.

Viewer FAQ

Where does Four Weddings and a Funeral/The Cement Garden/Above the Rim/Raining Stones/The Wonderful Horrible Life of Leni Riefenstahl sit in the At the Movies guide?

S08E29 is listed hour 352 of 616 — hour 29 of 47 in season 8, season 8 episode 29.

When did At the Movies S08E29 air?

Four Weddings and a Funeral/The Cement Garden/Above the Rim/Raining Stones/The Wonderful Horrible Life of Leni Riefenstahl aired 1994-03-26 and is listed at 30 minutes.

Is this the same as Sneak Previews?

Related Chicago-critics lineage; this syndicated 1982–1990 run (under various official titles) is the thumbs-as-shorthand era people mean by At the Movies. Balcony, barbs, mass criticism.

In the series

Why this series still plays

Two thumbs up: Gene Siskel and Roger Ebert turn newspaper rivalry into appointment film talk — balcony seats, clipped verdicts, and fights that were half the entertainment. Syndication made serious criticism mass. The argument as format: two Chicago men teaching America it was allowed to have taste, and to disagree on camera.

The balcony is the silhouette. Syndicated 1982–1990 under various official titles: Chicago critics debate new releases with clips, barbs, and binary thumb verdicts — two thumbs up, newspaper rivals as appointment film talk. At the Movies is Gene Siskel and Roger Ebert as celebrity critics: balcony seats, clipped verdicts, fights that were half the entertainment. The thumbs system became cultural shorthand. Serious criticism made mass. The argument as format. *Balcony as civic furniture, a thumb as the accessory…

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Filed against

Also in season 8

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