TV Flash
All episodes Season 10 S10E27 1996-03-09 30 min 1980s Syndication

At the Movies

The Birdcage/Homeward Bound II: Lost in San Francisco/Down Periscope/If Lucy Fell/Anne Frank Remembered

TV Flash files “The Birdcage/Homeward Bound II: Lost in San Francisco/Down Periscope/If Lucy Fell/Anne Frank Remembered” as hour 443 of 616 in the TV Flash guide — At the Movies (1982–1990) on Syndication, season 10, episode 27, aired 1996-03-09, 30 min.

From the desk

How this hour is filed

This leaf is S10E27: listed hour 443 of 616 in the At the Movies guide, hour 27 of 50 in season 10. It aired 1996-03-09 (30 min). The listed hour before it is “Up Close and Personal/Muppet Treasure Island/Fargo/Heidi Fleiss: Hollywood Madam/The Young Poisoner's Handbook” (S10E26). Next is “Executive Decision/Ed/Two Much/The Star Maker/Land and Freedom” (S10E28). Broadcast log — titles and dates, not a plot bible.

At the Movies still
No original recap on file. TV Flash does not invent plots for missing hours. Title, airdate, and the hour filing above are the magazine record for this leaf.

Viewer FAQ

Where does The Birdcage/Homeward Bound II: Lost in San Francisco/Down Periscope/If Lucy Fell/Anne Frank Remembered sit in the At the Movies guide?

S10E27 is listed hour 443 of 616 — hour 27 of 50 in season 10, season 10 episode 27.

When did At the Movies S10E27 air?

The Birdcage/Homeward Bound II: Lost in San Francisco/Down Periscope/If Lucy Fell/Anne Frank Remembered aired 1996-03-09 and is listed at 30 minutes.

Is this the same as Sneak Previews?

Related Chicago-critics lineage; this syndicated 1982–1990 run (under various official titles) is the thumbs-as-shorthand era people mean by At the Movies. Balcony, barbs, mass criticism.

In the series

Why this series still plays

Filed by Lana Reyes · Red Carpet Reality · Show package

Two thumbs up: Gene Siskel and Roger Ebert turn newspaper rivalry into appointment film talk — balcony seats, clipped verdicts, and fights that were half the entertainment. Syndication made serious criticism mass. The argument as format: two Chicago men teaching America it was allowed to have taste, and to disagree on camera.

The balcony is the silhouette. Syndicated 1982–1990 under various official titles: Chicago critics debate new releases with clips, barbs, and binary thumb verdicts — two thumbs up, newspaper rivals as appointment film talk. At the Movies is Gene Siskel and Roger Ebert as celebrity critics: balcony seats, clipped verdicts, fights that were half the entertainment. The thumbs system became cultural shorthand. Serious criticism made mass. The argument as format. *Balcony as civic furniture, a thumb as the accessory…

Open the At the Movies package · Season 10 hub

Filed against

Also in season 10

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