All episodes Season 11 S11E32 1997-05-12 30 min 1980s Syndication

At the Movies

Anaconda/Grosse Point Blank/Paradise Road/Keys to Tulsa/Kissed/Mabarosi

TV Flash files “Anaconda/Grosse Point Blank/Paradise Road/Keys to Tulsa/Kissed/Mabarosi” as hour 498 of 616 in the TV Flash guide — At the Movies (1982–1990) on Syndication, season 11, episode 32, aired 1997-05-12, 30 min.

From the desk

How this hour is filed

This leaf is S11E32: listed hour 498 of 616 in the At the Movies guide, hour 32 of 52 in season 11. It aired 1997-05-12 (30 min). The listed hour before it is “The Saint/Inventing the Abbotts/Double Team/That Old Feeling/Chasing Amy” (S11E31). Next is “Murder at 1600/Traveller/8 Heads in a Duffel Bag/Das Boot/Ulysses Gaze” (S11E33). Broadcast log — titles and dates, not a plot bible.

At the Movies still
No original recap on file. TV Flash does not invent plots for missing hours. Title, airdate, and the hour filing above are the magazine record for this leaf.

Viewer FAQ

Where does Anaconda/Grosse Point Blank/Paradise Road/Keys to Tulsa/Kissed/Mabarosi sit in the At the Movies guide?

S11E32 is listed hour 498 of 616 — hour 32 of 52 in season 11, season 11 episode 32.

When did At the Movies S11E32 air?

Anaconda/Grosse Point Blank/Paradise Road/Keys to Tulsa/Kissed/Mabarosi aired 1997-05-12 and is listed at 30 minutes.

Is this the same as Sneak Previews?

Related Chicago-critics lineage; this syndicated 1982–1990 run (under various official titles) is the thumbs-as-shorthand era people mean by At the Movies. Balcony, barbs, mass criticism.

In the series

Why this series still plays

Two thumbs up: Gene Siskel and Roger Ebert turn newspaper rivalry into appointment film talk — balcony seats, clipped verdicts, and fights that were half the entertainment. Syndication made serious criticism mass. The argument as format: two Chicago men teaching America it was allowed to have taste, and to disagree on camera.

The balcony is the silhouette. Syndicated 1982–1990 under various official titles: Chicago critics debate new releases with clips, barbs, and binary thumb verdicts — two thumbs up, newspaper rivals as appointment film talk. At the Movies is Gene Siskel and Roger Ebert as celebrity critics: balcony seats, clipped verdicts, fights that were half the entertainment. The thumbs system became cultural shorthand. Serious criticism made mass. The argument as format. *Balcony as civic furniture, a thumb as the accessory…

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Filed against

Also in season 11

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