All episodes Season 13 S13E27 1999-03-13 30 min 1980s Syndication

At the Movies

The Deep End of the Ocean/Lock, Stock and Two Smoking Barrels/Cruel Intentions/Analyze This/Wing Commander

TV Flash files “The Deep End of the Ocean/Lock, Stock and Two Smoking Barrels/Cruel Intentions/Analyze This/Wing Commander” as hour 594 of 616 in the TV Flash guide — At the Movies (1982–1990) on Syndication, season 13, episode 27, aired 1999-03-13, 30 min.

From the desk

How this hour is filed

This leaf is S13E27: listed hour 594 of 616 in the At the Movies guide, hour 26 of 48 in season 13. It aired 1999-03-13 (30 min). The listed hour before it is “8mm/The Other Sister/Just the Ticket/200 Cigarettes/Eight Days a Week” (S13E26). Next is “True Crime/Ravenous/The King and I/Forces of Nature/The Harmonists” (S13E28). Broadcast log — titles and dates, not a plot bible.

At the Movies still
No original recap on file. TV Flash does not invent plots for missing hours. Title, airdate, and the hour filing above are the magazine record for this leaf.

Viewer FAQ

Where does The Deep End of the Ocean/Lock, Stock and Two Smoking Barrels/Cruel Intentions/Analyze This/Wing Commander sit in the At the Movies guide?

S13E27 is listed hour 594 of 616 — hour 26 of 48 in season 13, season 13 episode 27.

When did At the Movies S13E27 air?

The Deep End of the Ocean/Lock, Stock and Two Smoking Barrels/Cruel Intentions/Analyze This/Wing Commander aired 1999-03-13 and is listed at 30 minutes.

Is this the same as Sneak Previews?

Related Chicago-critics lineage; this syndicated 1982–1990 run (under various official titles) is the thumbs-as-shorthand era people mean by At the Movies. Balcony, barbs, mass criticism.

In the series

Why this series still plays

Two thumbs up: Gene Siskel and Roger Ebert turn newspaper rivalry into appointment film talk — balcony seats, clipped verdicts, and fights that were half the entertainment. Syndication made serious criticism mass. The argument as format: two Chicago men teaching America it was allowed to have taste, and to disagree on camera.

The balcony is the silhouette. Syndicated 1982–1990 under various official titles: Chicago critics debate new releases with clips, barbs, and binary thumb verdicts — two thumbs up, newspaper rivals as appointment film talk. At the Movies is Gene Siskel and Roger Ebert as celebrity critics: balcony seats, clipped verdicts, fights that were half the entertainment. The thumbs system became cultural shorthand. Serious criticism made mass. The argument as format. *Balcony as civic furniture, a thumb as the accessory…

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Filed against

Also in season 13

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