All episodes Season 2 S02E16 1979-01-26 60 min 1980s CBS

Dallas

Julie's Return

TV Flash files “Julie's Return” as hour 21 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 2, episode 16, aired 1979-01-26, 60 min.

From the desk

How this hour is filed

This leaf is S02E16: listed hour 21 of 356 in the Dallas guide, hour 16 of 24 in season 2. It aired 1979-01-26 (60 min). The listed hour before it is “For Love or Money” (S02E15). Next is “The Red File (1)” (S02E17).

Dallas — Julie's Return (S02E16)

Catalog log

Broadcast listing — not a TV Flash recap.

Jock is getting tired of being treated like an invalid. J.R uses his father's heart attack to keep him out of Ewing Oil. Ellie attempts to keep all stress out his life. When Julie Grey, Jock's former secretary, arrives back in Dallas, Jock is thrilled to spend a lot of time with her. She does not treat him like the family, and two renew their relationship. Discovering the friendship, and keen to keep Jock away from Julie, J.R. tells his mother. Ellie frets over how to to deal with the situation.

Viewer FAQ

Where does Julie's Return sit in the Dallas guide?

S02E16 is listed hour 21 of 356 — hour 16 of 24 in season 2, season 2 episode 16.

When did Dallas S02E16 air?

Julie's Return aired 1979-01-26 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 2

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