All episodes Season 4 S04E17 1981-02-27 60 min 1980s CBS

Dallas

The New Mrs. Ewing

TV Flash files “The New Mrs. Ewing” as hour 71 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 4, episode 17, aired 1981-02-27, 60 min.

From the desk

How this hour is filed

This leaf is S04E17: listed hour 71 of 356 in the Dallas guide, hour 17 of 23 in season 4. It aired 1981-02-27 (60 min). The listed hour before it is “Lover, Come Back” (S04E16). Next is “Mark of Cain” (S04E18).

Dallas — The New Mrs. Ewing (S04E17)

Catalog log

Broadcast listing — not a TV Flash recap.

Miss Ellie is furious at Jock's move to incorporate Ray into the Ewing sons' trust fund. Bobby is elected to the State Senate. Leslie interferes with J.R's plans. Lucy bids to become "Miss Young Dallas". With Dusty behind her, Sue Ellen and Clint get closer. Donna and Ray are married at the courthouse. Bobby forms a new business alliance with Cliff Barnes, but his growing jealousy over Pam forces a confrontation with Alex Ward. Miss Ellie and Jock's cold war escalates.

Viewer FAQ

Where does The New Mrs. Ewing sit in the Dallas guide?

S04E17 is listed hour 71 of 356 — hour 17 of 23 in season 4, season 4 episode 17.

When did Dallas S04E17 air?

The New Mrs. Ewing aired 1981-02-27 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 4

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