All episodes Season 5 S05E17 1982-02-05 60 min 1980s CBS

Dallas

My Father, My Son

TV Flash files “My Father, My Son” as hour 94 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 5, episode 17, aired 1982-02-05, 60 min.

From the desk

How this hour is filed

This leaf is S05E17: listed hour 94 of 356 in the Dallas guide, hour 17 of 26 in season 5. It aired 1982-02-05 (60 min). The listed hour before it is “The Phoenix” (S05E16). Next is “Anniversary” (S05E18).

Dallas — My Father, My Son (S05E17)

Catalog log

Broadcast listing — not a TV Flash recap.

J.R. pressures Donna to talk Ray into giving up his voting shares. J.R. sees Cliff and Sue Ellen together in a restaurant, and hires a detective to keep Sue Ellen's house under surveillance. Donna leaves for Laredo to do research for her book. A lawyer tells Bobby he will have to ask Sue Ellen for permission to adopt Christopher. Lucy learns Mitch is dating Evelyn Michaelson and, feeling abandoned, turns to Roger. J.R., John Ross and Sue Ellen spend time together in a fun park and J.R. invites Sue Ellen to dinner at Southfork. She refuses after some hesitation.

Viewer FAQ

Where does My Father, My Son sit in the Dallas guide?

S05E17 is listed hour 94 of 356 — hour 17 of 26 in season 5, season 5 episode 17.

When did Dallas S05E17 air?

My Father, My Son aired 1982-02-05 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 5

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