All episodes Season 5 S05E24 1982-03-26 60 min 1980s CBS

Dallas

The Investigation

TV Flash files “The Investigation” as hour 101 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 5, episode 24, aired 1982-03-26, 60 min.

From the desk

How this hour is filed

This leaf is S05E24: listed hour 101 of 356 in the Dallas guide, hour 24 of 26 in season 5. It aired 1982-03-26 (60 min). The listed hour before it is “Blackmail” (S05E23). Next is “Acceptance” (S05E25).

Dallas — The Investigation (S05E24)

Catalog log

Broadcast listing — not a TV Flash recap.

Police question Bobby about Farraday. The family are worried about Lucy's disappearance. Rebecca learns Cliff has been withdrawing large amounts from Wentworth Tool and Die. Bobby and Pam rescue Lucy from Roger and she is taken to the hospital. Cliff is facing financial ruin and tries to borrow money from Sue Ellen. Mitch visits Lucy at the hospital where they agree to divorce. Miss Ellie is still furious with Donna. Sue Ellen tells Pam about Cliff's situation. Farraday's associates show up at Bobby's office thinking Bobby had drug deals with Farraday. J.R. finalises his plan with Cliff and Sue Ellen.

Viewer FAQ

Where does The Investigation sit in the Dallas guide?

S05E24 is listed hour 101 of 356 — hour 24 of 26 in season 5, season 5 episode 24.

When did Dallas S05E24 air?

The Investigation aired 1982-03-26 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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