All episodes Season 6 S06E13 1982-12-31 60 min 1980s CBS

Dallas

Mama Dearest

TV Flash files “Mama Dearest” as hour 116 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 6, episode 13, aired 1982-12-31, 60 min.

From the desk

How this hour is filed

This leaf is S06E13: listed hour 116 of 356 in the Dallas guide, hour 13 of 28 in season 6. It aired 1982-12-31 (60 min). The listed hour before it is “Barbecue Three” (S06E12). Next is “The Ewing Blues” (S06E14).

Dallas — Mama Dearest (S06E13)

Catalog log

Broadcast listing — not a TV Flash recap.

Miss Ellie's decision to contest Jock's will causes further divisions in the family as J.R. warns Miss Ellie he will fight her in court. Bobby reluctantly sides with J.R. Pamela sides with Miss Ellie. Harv Smithfield refuses to represent Miss Ellie because of his legal and moral loyalty to Jock. Bobby accuses Pam of fighting him on Miss Ellie's side. An angry J.R. confronts Clayton who visits with Miss Ellie at Southfork. J.R.'s cut-rate gas stations get more media attention. Miss Ellie's new lawyer suggests it might be necessary to question Jock's mental competency at the time the will was made. Cliff moves into a new place. Afton questions Cliff about marriage.

Viewer FAQ

Where does Mama Dearest sit in the Dallas guide?

S06E13 is listed hour 116 of 356 — hour 13 of 28 in season 6, season 6 episode 13.

When did Dallas S06E13 air?

Mama Dearest aired 1982-12-31 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 6

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