All episodes Season 6 S06E21 1983-03-04 60 min 1980s CBS

Dallas

Caribbean Connection

TV Flash files “Caribbean Connection” as hour 124 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 6, episode 21, aired 1983-03-04, 60 min.

From the desk

How this hour is filed

This leaf is S06E21: listed hour 124 of 356 in the Dallas guide, hour 21 of 28 in season 6. It aired 1983-03-04 (60 min). The listed hour before it is “Brothers and Sisters” (S06E20). Next is “The Sting” (S06E22).

Dallas — Caribbean Connection (S06E21)

Catalog log

Broadcast listing — not a TV Flash recap.

Donna accuses Mickey of being interested in Lucy for her money. Katherine tries to persuade Mark to stay close to Pamela. Clayton continues to look for a house in Dallas. Bobby and Ray uncover J.R's illegal Caribbean deal. If the State Department finds out about the deal with Cuba, this could be the end of Ewing Oil. Mark continues to see Pam. Cliff finally recovers from his depression over Rebecca's death and buys a company from Mark. J.R. considers going into politics but Sue Ellen fears her past alcohol problems and affairs with Dusty might complicate things.

Viewer FAQ

Where does Caribbean Connection sit in the Dallas guide?

S06E21 is listed hour 124 of 356 — hour 21 of 28 in season 6, season 6 episode 21.

When did Dallas S06E21 air?

Caribbean Connection aired 1983-03-04 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 6

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