Dallas
Hell Hath No Fury
TV Flash files “Hell Hath No Fury” as hour 126 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 6, episode 23, aired 1983-03-18, 60 min.
From the desk
How this hour is filed
This leaf is S06E23: listed hour 126 of 356 in the Dallas guide, hour 23 of 28 in season 6. It aired 1983-03-18 (60 min). The listed hour before it is “The Sting” (S06E22). Next is “Cuba Libre” (S06E24).
Catalog log
Broadcast listing — not a TV Flash recap.
After suffering a $17 million loss, Holly Harwood tells Bobby that she's determined to get the Ewing brothers out of her life. Lucy enjoys modelling again and continues to see Mickey. Clayton Farlow keeps on seeing Ellie. Bobby runs into more weather problems on his Canadian deal. J.R. encourages Katherine to move in on Bobby. Holly declares a truce with J.R. and tries to seduce him. Bobby and Pam spend a night together but when he wants her to go back to Southfork, she tells him that the night was "just a moment", and so they break up again. J.R. tries to force Walt Driscoll to tell him the name of his contract man in the Caribbeans. J.R. and Sue Ellen appear on television again where he sets the stage for his Cuban trip. Ray offers Bobby his financial support in the battle with J.R. Mark Graison continues to see Pam. Bobby tells Donna and Ray that it's too late to save his marriage. Katherine urges Mark to take Pam to France. Holly tells Sue Ellen that J.R. is seeing her.
Viewer FAQ
Where does Hell Hath No Fury sit in the Dallas guide?
S06E23 is listed hour 126 of 356 — hour 23 of 28 in season 6, season 6 episode 23.
When did Dallas S06E23 air?
Hell Hath No Fury aired 1983-03-18 and is listed at 60 minutes.
Where should I start — the miniseries or the shooting?
Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.
In the series
Why this series still plays
Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.
The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…
Filed against
- Larry Hagman as J.R. Ewing
Larry Hagman’s J.R. Ewing made “Who shot J.R.?” a global summer sport on Dallas — oil-opera villainy with a smile that sold cliffhangers. Southfork seating charts, spoiler culture as national weather. On TV Flash he is primetime soap’s…
- Patrick Duffy as Bobby Ewing
Patrick Duffy’s Bobby Ewing was Dallas’s good-son lighting — Southfork virtue against Larry Hagman’s grin, and the dream-season delete that still starts fights. CBS taught television how to own a summer. TV Flash still asks who shot the…
- Linda Gray as Sue Ellen Ewing
Linda Gray’s Sue Ellen Ewing is Dallas as a marriage crime scene — Southfork seating charts, Larry Hagman’s grin as a weapon, a summer-long question that made appointment TV feel like a manhunt. Oil-opera spouse as more than a hemline. On…
- Victoria Principal as Pamela Barnes Ewing
Victoria Principal’s Pamela Barnes Ewing made Dallas a Southfork seating chart with a pulse — Texas oil, Larry Hagman’s grin as a weapon, and a cliffhanger that turned spoiler culture into national weather. On TV Flash she is the…
- Barbara Bel Geddes as Miss Ellie Ewing
Barbara Bel Geddes steadied Dallas as Miss Ellie Ewing — Southfork matriarch with moral gravity amid oil-opera excess and “Who shot J.R.?” mania. She made primetime soap feel like family business. TV Flash files her as the Ewing…
- Jim Davis as Jock Ewing
Jim Davis’s Jock Ewing is Dallas as the table the oil opera had to sit at — Southfork land, a seating chart with a ranch attached, the father the cliffhanger generation had to come home to. Who shot J.R. taught TV how to own a summer;…