All episodes Season 10 S10E27 1987-05-01 60 min 1980s CBS

Dallas

The Dark at the End of the Tunnel

TV Flash files “The Dark at the End of the Tunnel” as hour 249 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 10, episode 27, aired 1987-05-01, 60 min.

From the desk

How this hour is filed

This leaf is S10E27: listed hour 249 of 356 in the Dallas guide, hour 27 of 29 in season 10. It aired 1987-05-01 (60 min). The listed hour before it is “Ruthless People” (S10E26). Next is “Two-Fifty” (S10E28).

Dallas — The Dark at the End of the Tunnel (S10E27)

Catalog log

Broadcast listing — not a TV Flash recap.

Bobby, Ray, and Miss Ellie sell their Ewing Oil holdings to J.R. Pam returns her 25 percent of Barnes/Wentworth to Cliff. April enjoys her new wealth and buys a restaurant. Ray shows pictures of Margaret to Jenna and Charlie. Wendell gives the Justice Department data on Ewing Oil and B.D. Calhoun. Sue Ellen uses Mandy Winger to test J.R.'s fidelity. Cliff makes a scene at Ewing Oil. Phyllis breaks down upon hearing the news that Ewing Oil is being dissolved. Just as Miss Ellie gets her hopes up for the family's future, she gets terrible news from Washington. Clayton has a violent confrontation with J.R. and is knocked unconscious.

Viewer FAQ

Where does The Dark at the End of the Tunnel sit in the Dallas guide?

S10E27 is listed hour 249 of 356 — hour 27 of 29 in season 10, season 10 episode 27.

When did Dallas S10E27 air?

The Dark at the End of the Tunnel aired 1987-05-01 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Filed against

Also in season 10

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