All episodes Season 11 S11E15 1988-01-08 60 min 1980s CBS

Dallas

It's Me Again

TV Flash files “It's Me Again” as hour 266 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 11, episode 15, aired 1988-01-08, 60 min.

From the desk

How this hour is filed

This leaf is S11E15: listed hour 266 of 356 in the Dallas guide, hour 15 of 30 in season 11. It aired 1988-01-08 (60 min). The listed hour before it is “Daddy's Little Darlin'” (S11E14). Next is “Marriage on the Rocks” (S11E16).

Dallas — It's Me Again (S11E15)

Catalog log

Broadcast listing — not a TV Flash recap.

Lisa apologizes to Cliff. J.R. demands an "act of faith" from Kimberly before he leaves Sue Ellen. Lisa socializes with Cliff, asks him information about business, and relays it on to J.R. Bobby decides to stop visiting Lucas for Christopher's sake. Pearce withdraws from Sue Ellen's account. J.R. makes a promise to John Ross to get Ewing Oil back. April learns that Pearce may be connected to the mob. J.R. uses the information from Lisa against Cliff. Ray throws Randy out and alienates Charlie. Clayton meets Ellis, the girl from the painting. Wilson Cryder wants to buy Barnes/Wentworth out.

Viewer FAQ

Where does It's Me Again sit in the Dallas guide?

S11E15 is listed hour 266 of 356 — hour 15 of 30 in season 11, season 11 episode 15.

When did Dallas S11E15 air?

It's Me Again aired 1988-01-08 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Filed against

Also in season 11

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