All episodes Season 11 S11E29 1988-05-06 60 min 1980s CBS

Dallas

Things Ain't Goin' So Good at Southfork, Again

TV Flash files “Things Ain't Goin' So Good at Southfork, Again” as hour 280 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 11, episode 29, aired 1988-05-06, 60 min.

From the desk

How this hour is filed

This leaf is S11E29: listed hour 280 of 356 in the Dallas guide, hour 29 of 30 in season 11. It aired 1988-05-06 (60 min). The listed hour before it is “Pillow Talk” (S11E28). Next is “The Fat Lady Singeth” (S11E30).

Dallas — Things Ain't Goin' So Good at Southfork, Again (S11E29)

Catalog log

Broadcast listing — not a TV Flash recap.

J.R. lashes out at Sue Ellen for defeating him along with Kimberly. Jenna calls Ray from Paris. Sue Ellen leaves Southfork. Ellie wants Clayton to co-own Southfork. Connie Hall makes herself look like Jenna and imposes herself on Ray. J.R. tells Casey his service is no longer needed. J.R. places John Ross in a hideaway school to protect him against kidnappers. Sue Ellen tries to find a legal way to get John Ross. Bobby and Kay wonder how to keep their long-distance romance going. April refuses to become Casey's business partner. Cliff wants to sell his gas field to Jeremy Wendell. Connie takes revenge on Ray.

Viewer FAQ

Where does Things Ain't Goin' So Good at Southfork, Again sit in the Dallas guide?

S11E29 is listed hour 280 of 356 — hour 29 of 30 in season 11, season 11 episode 29.

When did Dallas S11E29 air?

Things Ain't Goin' So Good at Southfork, Again aired 1988-05-06 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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