All episodes Season 12 S12E12 1989-02-03 60 min 1980s CBS

Dallas

The Switch

TV Flash files “The Switch” as hour 293 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 12, episode 12, aired 1989-02-03, 60 min.

From the desk

How this hour is filed

This leaf is S12E12: listed hour 293 of 356 in the Dallas guide, hour 12 of 26 in season 12. It aired 1989-02-03 (60 min). The listed hour before it is “The Two Mrs. Ewings” (S12E11). Next is “He-e-ere's Papa!” (S12E13).

Dallas — The Switch (S12E12)

Catalog log

Broadcast listing — not a TV Flash recap.

April complains to J.R. that he didn't tell her about Cally. Cliff tries to turn his dates with Tammy into a relationship. Cally vows to stay at Southfork and make her marriage to J.R. work. McKay tells Bobby he's good for Tracey. Cally asks J.R. whether he slept with April. Christopher makes friends with Cally. Sue Ellen gives a little advice on how to handle J.R. McKay wants Tracey to work for Weststar. J.R. hires a cop to find out about McKay. Cally tells J.R. he'll have to marry her again at Southfork. Tammy breaks up with Cliff. Tension rises between Cally and John Ross. Bobby tells Christopher that Pam will never come back. J.R. learns that Nicholas Pearce's father is looking into his son's death.

Viewer FAQ

Where does The Switch sit in the Dallas guide?

S12E12 is listed hour 293 of 356 — hour 12 of 26 in season 12, season 12 episode 12.

When did Dallas S12E12 air?

The Switch aired 1989-02-03 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Filed against

Also in season 12

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