Dallas
Comings and Goings
TV Flash files “Comings and Goings” as hour 295 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 12, episode 14, aired 1989-02-17, 60 min.
From the desk
How this hour is filed
This leaf is S12E14: listed hour 295 of 356 in the Dallas guide, hour 14 of 26 in season 12. It aired 1989-02-17 (60 min). The listed hour before it is “He-e-ere's Papa!” (S12E13). Next is “Country Girl” (S12E15).
Catalog log
Broadcast listing — not a TV Flash recap.
Sue Ellen tells J.R. she has changed her mind about revenge. Sue Ellen meets Don Lockwood and gradually reveals the plot of her movie. Sue Ellen wants to use Lucy's help in her movie. J.R. torpedoes Bobby and Cliff's business deal. A drunk Cliff appear at April's place. Cally and John Ross don't get along. Lucy tells Don Lockwood her memories of how J.R. harassed her mother Valene. Tommy McKay returns and moves in with his father and Tracey. John Ross has an accident in the pool and is saved by Cally. Cally gets impatient with John Ross' attitude. Sue Ellen plans to make J.R. the laughing stock of Dallas with her movie about their marriages.
Viewer FAQ
Where does Comings and Goings sit in the Dallas guide?
S12E14 is listed hour 295 of 356 — hour 14 of 26 in season 12, season 12 episode 14.
When did Dallas S12E14 air?
Comings and Goings aired 1989-02-17 and is listed at 60 minutes.
Where should I start — the miniseries or the shooting?
Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.
In the series
Why this series still plays
Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.
The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…
Filed against
- Larry Hagman as J.R. Ewing
Larry Hagman’s J.R. Ewing made “Who shot J.R.?” a global summer sport on Dallas — oil-opera villainy with a smile that sold cliffhangers. Southfork seating charts, spoiler culture as national weather. On TV Flash he is primetime soap’s…
- Patrick Duffy as Bobby Ewing
Patrick Duffy’s Bobby Ewing was Dallas’s good-son lighting — Southfork virtue against Larry Hagman’s grin, and the dream-season delete that still starts fights. CBS taught television how to own a summer. TV Flash still asks who shot the…
- Linda Gray as Sue Ellen Ewing
Linda Gray’s Sue Ellen Ewing is Dallas as a marriage crime scene — Southfork seating charts, Larry Hagman’s grin as a weapon, a summer-long question that made appointment TV feel like a manhunt. Oil-opera spouse as more than a hemline. On…
- Victoria Principal as Pamela Barnes Ewing
Victoria Principal’s Pamela Barnes Ewing made Dallas a Southfork seating chart with a pulse — Texas oil, Larry Hagman’s grin as a weapon, and a cliffhanger that turned spoiler culture into national weather. On TV Flash she is the…
- Barbara Bel Geddes as Miss Ellie Ewing
Barbara Bel Geddes steadied Dallas as Miss Ellie Ewing — Southfork matriarch with moral gravity amid oil-opera excess and “Who shot J.R.?” mania. She made primetime soap feel like family business. TV Flash files her as the Ewing…
- Jim Davis as Jock Ewing
Jim Davis’s Jock Ewing is Dallas as the table the oil opera had to sit at — Southfork land, a seating chart with a ranch attached, the father the cliffhanger generation had to come home to. Who shot J.R. taught TV how to own a summer;…