All episodes Season 12 S12E19 1989-03-17 60 min 1980s CBS

Dallas

Three Hundred

TV Flash files “Three Hundred” as hour 300 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 12, episode 19, aired 1989-03-17, 60 min.

From the desk

How this hour is filed

This leaf is S12E19: listed hour 300 of 356 in the Dallas guide, hour 19 of 26 in season 12. It aired 1989-03-17 (60 min). The listed hour before it is “The Serpent's Tooth” (S12E18). Next is “April Showers” (S12E20).

Dallas — Three Hundred (S12E19)

Catalog log

Broadcast listing — not a TV Flash recap.

J.R. asks Sly Lovegren to secretly provide him with some Ewing Oil information. Tommy McKay tries to get the missing $100,000 from his father and then from April. April decides to give Tommy a second chance and he takes her out on a date which ends up violently for her. Sue Ellen takes a look at the recreation of Southfork made for the movie. Sue Ellen wonders if she's ready to "relive her life" while making the movie. J.R. and Bobby get stuck in an elevator and reminisce about old times. J.R. manages to push a few emotional buttons in Bobby who decides to take him back as a full partner in Ewing Oil.

Viewer FAQ

Where does Three Hundred sit in the Dallas guide?

S12E19 is listed hour 300 of 356 — hour 19 of 26 in season 12, season 12 episode 19.

When did Dallas S12E19 air?

Three Hundred aired 1989-03-17 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 12

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