All episodes Season 12 S12E26 1989-05-19 60 min 1980s CBS

Dallas

Reel Life

TV Flash files “Reel Life” as the last listed hour of season 12 — Dallas (1978–1991) on CBS, season 12, episode 26, aired 1989-05-19, 60 min.

From the desk

How this hour is filed

This leaf is S12E26: listed hour 307 of 356 in the Dallas guide, last listed hour of season 12. It aired 1989-05-19 (60 min). The listed hour before it is “Mission to Moscow” (S12E25). Next is “Phantom of the Oil Rig” (S13E01).

Dallas — Reel Life (S12E26)

Catalog log

Broadcast listing — not a TV Flash recap.

After their return to Dallas, April and Bobby try to keep their European romance going. Cliff goes to Baton Rouge, Louisiana and gets duped by Afton's former husband Harrison Van Buren. Sue Ellen agrees to move to England with Don Lockwood but John Ross stays in Dallas. Weststar employees give Carter McKay a big welcome upon his return from Vienna. April gets scary, crank calls and Bobby decides to take her to Southfork. Bobby suspects that Tommy Mckay is making trouble again and he confronts Carter about it. Sue Ellen tells Cally that she'll have to fight for her identity in her marriage. Miss Ellie gets a birthday card addressed to Jock with a mysterious key inside. Sue Ellen gives J.R. a taste of what her ultimate revenge on him could be like-- a movie that will make J.R. "the laughing stock of Texas".

Viewer FAQ

Where does Reel Life sit in the Dallas guide?

S12E26 is listed hour 307 of 356 — last listed hour of season 12, season 12 episode 26.

When did Dallas S12E26 air?

Reel Life aired 1989-05-19 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

Open the Dallas package · Season 12 hub

Filed against

Also in season 12

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