Dallas
Tale of Two Cities
TV Flash files “Tale of Two Cities” as hour 320 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 13, episode 13, aired 1990-01-05, 60 min.
From the desk
How this hour is filed
This leaf is S13E13: listed hour 320 of 356 in the Dallas guide, hour 13 of 27 in season 13. It aired 1990-01-05 (60 min). The listed hour before it is “Sex, Lies and Videotape” (S13E12). Next is “Judgment Day” (S13E14).
Catalog log
Broadcast listing — not a TV Flash recap.
Cally puts on an art show at a gallery bought by Lucy. Bobby and J.R argue about Bobby's decision to rehire the tanker captain. James gets disillusioned about the way the oil business is done. Bobby and April plan their wedding. James gets Michelle an apartment. Michelle finds out about the videotape and tells Bobby who confronts Rose McKay about it, James gets caught in the middle, trying to protect Cally and J.R., and when he tries to tell the truth to Michelle, she throws him out. A coastguard officer's secret statement to Cliff sheds a new light on the Weststar-Ewing tanker collision.
Viewer FAQ
Where does Tale of Two Cities sit in the Dallas guide?
S13E13 is listed hour 320 of 356 — hour 13 of 27 in season 13, season 13 episode 13.
When did Dallas S13E13 air?
Tale of Two Cities aired 1990-01-05 and is listed at 60 minutes.
Where should I start — the miniseries or the shooting?
Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.
In the series
Why this series still plays
Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.
The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…
Filed against
- Larry Hagman as J.R. Ewing
Larry Hagman’s J.R. Ewing made “Who shot J.R.?” a global summer sport on Dallas — oil-opera villainy with a smile that sold cliffhangers. Southfork seating charts, spoiler culture as national weather. On TV Flash he is primetime soap’s…
- Patrick Duffy as Bobby Ewing
Patrick Duffy’s Bobby Ewing was Dallas’s good-son lighting — Southfork virtue against Larry Hagman’s grin, and the dream-season delete that still starts fights. CBS taught television how to own a summer. TV Flash still asks who shot the…
- Linda Gray as Sue Ellen Ewing
Linda Gray’s Sue Ellen Ewing is Dallas as a marriage crime scene — Southfork seating charts, Larry Hagman’s grin as a weapon, a summer-long question that made appointment TV feel like a manhunt. Oil-opera spouse as more than a hemline. On…
- Victoria Principal as Pamela Barnes Ewing
Victoria Principal’s Pamela Barnes Ewing made Dallas a Southfork seating chart with a pulse — Texas oil, Larry Hagman’s grin as a weapon, and a cliffhanger that turned spoiler culture into national weather. On TV Flash she is the…
- Barbara Bel Geddes as Miss Ellie Ewing
Barbara Bel Geddes steadied Dallas as Miss Ellie Ewing — Southfork matriarch with moral gravity amid oil-opera excess and “Who shot J.R.?” mania. She made primetime soap feel like family business. TV Flash files her as the Ewing…
- Jim Davis as Jock Ewing
Jim Davis’s Jock Ewing is Dallas as the table the oil opera had to sit at — Southfork land, a seating chart with a ranch attached, the father the cliffhanger generation had to come home to. Who shot J.R. taught TV how to own a summer;…