All episodes Season 13 S13E18 1990-02-16 60 min 1980s CBS

Dallas

The Crucible

TV Flash files “The Crucible” as hour 325 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 13, episode 18, aired 1990-02-16, 60 min.

From the desk

How this hour is filed

This leaf is S13E18: listed hour 325 of 356 in the Dallas guide, hour 18 of 27 in season 13. It aired 1990-02-16 (60 min). The listed hour before it is “After Midnight” (S13E17). Next is “Dear Hearts and Gentle People” (S13E19).

Dallas — The Crucible (S13E18)

Catalog log

Broadcast listing — not a TV Flash recap.

The Ewings are concerned about why Bobby is not seeing April anymore. McKay finds a way to force Inagaki to cooperate. April and Michelle are having second thoughts about the singles' club. Lucy and Cally have a confrontation with April and Michelle at the bar. J.R. knocks James out of the deal with Duke Carlisle. J.R. is rebuffed by Stephanie Rogers when he tries to talk her into doing business with Ewing Oil. Tension rises between J.R. and Cally as she gets tired of waiting home for him. Bobby tells Cliff about his obsession with the Pam look-alike. Miss Ellie and Clayton witness a mysterious death during the reading of the will of Atticus Ward. Bobby leaves Jeanne and he finally "says good-bye" to Pam.

Viewer FAQ

Where does The Crucible sit in the Dallas guide?

S13E18 is listed hour 325 of 356 — hour 18 of 27 in season 13, season 13 episode 18.

When did Dallas S13E18 air?

The Crucible aired 1990-02-16 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Filed against

Also in season 13

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