All episodes Season 14 S14E16 1991-03-08 60 min 1980s CBS

Dallas

Fathers and Sons and Fathers and Sons

TV Flash files “Fathers and Sons and Fathers and Sons” as hour 350 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 14, episode 16, aired 1991-03-08, 60 min.

From the desk

How this hour is filed

This leaf is S14E16: listed hour 350 of 356 in the Dallas guide, hour 16 of 22 in season 14. It aired 1991-03-08 (60 min). The listed hour before it is “Win Some, Lose Some” (S14E15). Next is “When the Wind Blows” (S14E17).

Dallas — Fathers and Sons and Fathers and Sons (S14E16)

Catalog log

Broadcast listing — not a TV Flash recap.

Bobby returns home to Southfork. McKay learns who really killed Johnny Dancer, and plots revenge in retaliation of his own downfall. Cliff teams up with Michelle in order to go after J.R. once more. The Ewing boys go on a cattle drive. Bobby announces his retirement from the oil business. A skeleton from James' closet appears in the shape of ex love Deborah Lynn and his son Jimmy.

Viewer FAQ

Where does Fathers and Sons and Fathers and Sons sit in the Dallas guide?

S14E16 is listed hour 350 of 356 — hour 16 of 22 in season 14, season 14 episode 16.

When did Dallas S14E16 air?

Fathers and Sons and Fathers and Sons aired 1991-03-08 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 14

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