Mad Men
The Chrysanthemum and the Sword
TV Flash files “The Chrysanthemum and the Sword” as hour 44 of 92 in the TV Flash guide — Mad Men (2007–2015) on AMC, season 4, episode 5, aired 2010-08-22, 60 min.
From the desk
How this hour is filed
This leaf is S04E05: listed hour 44 of 92 in the Mad Men guide, hour 5 of 13 in season 4. It aired 2010-08-22 (60 min). The listed hour before it is “The Rejected” (S04E04). Next is “Waldorf Stories” (S04E06).

Catalog log
Broadcast listing — not a TV Flash recap.
Don and Pete disregard Roger's expectations in an effort to land an important new client.
Viewer FAQ
Where does The Chrysanthemum and the Sword sit in the Mad Men guide?
S04E05 is listed hour 44 of 92 — hour 5 of 13 in season 4, season 4 episode 5.
When did Mad Men S04E05 air?
The Chrysanthemum and the Sword aired 2010-08-22 and is listed at 60 minutes.
Where should I start Mad Men?
“Smoke Gets in Your Eyes.” The first hour is the fitting room: gray flannel, fluorescent light, style as character. Do not skip to a “better dressed” season; the argument is the change.
In the series
Why this series still plays
Watch it as a decade of clothes learning to tell on their wearers. Madison Avenue is the fitting room; history is the lighting. If you care how prestige television used beauty as pressure instead of wallpaper — gray flannel to a last unguarded smile — this is the collection that still photographs.
The first flash is gray flannel under a cruel office fluorescent — a suit that has not yet learned the decade’s weather. A cigarette is not a prop; it is punctuation. Jon Hamm’s Don Draper enters as a silhouette that will spend seven seasons trying to become a person, which is a very expensive kind of soft launch. Elisabeth Moss’s Peggy, Christina Hendricks’s Joan, January Jones’s Betty, John Slattery’s Roger: the ensemble is a look board that keeps firing people. Style is already the plot. Tessa can have the…
Filed against
- Jon Hamm as Don Draper
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- Elisabeth Moss as Peggy Olson
Elisabeth Moss turned June/Offred into Hulu dystopia's face of endurance on The Handmaid's Tale — red cloaks, close-ups, protest-icon aesthetics. Mad Men's Peggy Olson already proved her long-game craft. TV Flash tracks her as prestige…
- Vincent Kartheiser as Pete Campbell
Vincent Kartheiser’s Pete Campbell is Mad Men’s hungry suit — Madison Avenue as a fitting room with a whiskey budget, silhouette as argument, gray flannel learning to tell on its wearer. On TV Flash he is account-man voltage: prestige…
- January Jones as Betty Draper
January Jones’s Betty Draper is Mad Men as the suburban collection Don cannot merch — cigarettes, suits, and a woman the American century left in a beautiful room. Skip the habit of treating Hamm as the only silhouette. On TV Flash Betty…
- Christina Hendricks as Joan Holloway
Christina Hendricks’s Joan Holloway ruled Mad Men’s office politics in red — style as substance, partner ambition, and AMC prestige brand craft. A neckline and a ledger made Madison Avenue’s gender wars look lethal. TV Flash still studies…
- John Slattery as Roger Sterling
John Slattery’s Roger Sterling is Mad Men’s whiskey punctuation — Madison Avenue as a fitting room, silhouette as argument, a partner who treats history like lighting. Gray flannel to a last unguarded smile. On TV Flash he is AMC prestige…