Mad Men
The Phantom
TV Flash files “The Phantom” as the last listed hour of season 5 — Mad Men (2007–2015) on AMC, season 5, episode 13, aired 2012-06-10, 60 min.
From the desk
How this hour is filed
This leaf is S05E13: listed hour 65 of 92 in the Mad Men guide, last listed hour of season 5. It aired 2012-06-10 (60 min). The listed hour before it is “Commissions and Fees” (S05E12). Next is “The Doorway (1)” (S06E01).
Catalog log
Broadcast listing — not a TV Flash recap.
Season 5 concludes with opportunities abounding for everyone at the agency, while Pete encounters an interesting stranger on a train.
Viewer FAQ
Where does The Phantom sit in the Mad Men guide?
S05E13 is listed hour 65 of 92 — last listed hour of season 5, season 5 episode 13.
When did Mad Men S05E13 air?
The Phantom aired 2012-06-10 and is listed at 60 minutes.
Where should I start Mad Men?
“Smoke Gets in Your Eyes.” The first hour is the fitting room: gray flannel, fluorescent light, style as character. Do not skip to a “better dressed” season; the argument is the change.
In the series
Why this series still plays
Watch it as a decade of clothes learning to tell on their wearers. Madison Avenue is the fitting room; history is the lighting. If you care how prestige television used beauty as pressure instead of wallpaper — gray flannel to a last unguarded smile — this is the collection that still photographs.
The first flash is gray flannel under a cruel office fluorescent — a suit that has not yet learned the decade’s weather. A cigarette is not a prop; it is punctuation. Jon Hamm’s Don Draper enters as a silhouette that will spend seven seasons trying to become a person, which is a very expensive kind of soft launch. Elisabeth Moss’s Peggy, Christina Hendricks’s Joan, January Jones’s Betty, John Slattery’s Roger: the ensemble is a look board that keeps firing people. Style is already the plot. Tessa can have the…
Filed against
- Jon Hamm as Don Draper
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- Elisabeth Moss as Peggy Olson
Elisabeth Moss turned June/Offred into Hulu dystopia's face of endurance on The Handmaid's Tale — red cloaks, close-ups, protest-icon aesthetics. Mad Men's Peggy Olson already proved her long-game craft. TV Flash tracks her as prestige…
- Vincent Kartheiser as Pete Campbell
Vincent Kartheiser’s Pete Campbell is Mad Men’s hungry suit — Madison Avenue as a fitting room with a whiskey budget, silhouette as argument, gray flannel learning to tell on its wearer. On TV Flash he is account-man voltage: prestige…
- January Jones as Betty Draper
January Jones’s Betty Draper is Mad Men as the suburban collection Don cannot merch — cigarettes, suits, and a woman the American century left in a beautiful room. Skip the habit of treating Hamm as the only silhouette. On TV Flash Betty…
- Christina Hendricks as Joan Holloway
Christina Hendricks’s Joan Holloway ruled Mad Men’s office politics in red — style as substance, partner ambition, and AMC prestige brand craft. A neckline and a ledger made Madison Avenue’s gender wars look lethal. TV Flash still studies…
- John Slattery as Roger Sterling
John Slattery’s Roger Sterling is Mad Men’s whiskey punctuation — Madison Avenue as a fitting room, silhouette as argument, a partner who treats history like lighting. Gray flannel to a last unguarded smile. On TV Flash he is AMC prestige…