COPS
Seattle; Tacoma, WA 35
TV Flash files “Seattle; Tacoma, WA 35” as hour 486 of 1267 in the TV Flash guide — COPS (1989–present) on Fox, season 13, episode 32, aired 2001-04-28, 30 min.
From the desk
How this hour is filed
This leaf is S13E32: listed hour 486 of 1267 in the COPS guide, hour 32 of 40 in season 13. It aired 2001-04-28 (30 min). The listed hour before it is “Seattle; Tacoma, WA 34” (S13E31). Next is “Arizona 13” (S13E33). Broadcast log — titles and dates, not a plot bible.

Catalog log
Broadcast listing — not a TV Flash recap.
Officers dispatch the K-9 unit to sniff out a suspect who flees on foot. A suspicious male walking down the street is arrested with a large bag containing stolen goods and drug paraphernalia. Pickup truck with no tailights is stopped; driver arrested; shotgun with ground-off serial numbers, and drug making supplies.
Viewer FAQ
Where does Seattle; Tacoma, WA 35 sit in the COPS guide?
S13E32 is listed hour 486 of 1267 — hour 32 of 40 in season 13, season 13 episode 32.
When did COPS S13E32 air?
Seattle; Tacoma, WA 35 aired 2001-04-28 and is listed at 30 minutes.
Is there a host or a script?
Ride-along vérité: handheld cameras, minimal narration, chaos scored to "Bad Boys." The format is the author.
In the series
Why this series still plays
Handheld ride-alongs set to a reggae hook: policing as weekly spectacle, no narrator required. The format that taught reality TV how to chase, cuff, and cut. Controversial by design — vérité as entertainment, neighborhoods as set, and a chorus that still follows every squad-car clip. View it as craft and as argument; it was always both.
Visual first: handheld grain, a reggae hook, neighborhoods framed as set, no narrator to soften the silhouette. John Langley and Malcolm Barbour's Fox series premiered in 1989 and became a syndication staple through the 1990s. *Ride-along vérité as weekly spectacle.* Inner Circle's *Bad Boys* is inseparable from the brand — the chorus that still follows every squad-car clip. **This was not a procedural costume; this was policing photographed as entertainment.**