COPS
Liar Liar #2
TV Flash files “Liar Liar #2” as hour 763 of 1267 in the TV Flash guide — COPS (1989–present) on Fox, season 21, episode 10, aired 2008-11-15, 30 min.
From the desk
How this hour is filed
This leaf is S21E10: listed hour 763 of 1267 in the COPS guide, hour 10 of 36 in season 21. It aired 2008-11-15 (30 min). The listed hour before it is “Anger Management Special Edition” (S21E09). Next is “Evidence? What Evidence? #2” (S21E11). Broadcast log — titles and dates, not a plot bible.
Catalog log
Broadcast listing — not a TV Flash recap.
Detectives in Broward County, FL, pull over a vehicle on a routine traffic stop and the situation escalates when the driver and his passenger decide to dump the evidence. Things get heated in Las Vegas when officers respond to a domestic-disturbance call to sort out a complicated and confusing love triangle. Also featured are deputies in San Diego making a routine traffic stop when they encounter a suspect with a talent for telling elaborate untruths.
Viewer FAQ
Where does Liar Liar #2 sit in the COPS guide?
S21E10 is listed hour 763 of 1267 — hour 10 of 36 in season 21, season 21 episode 10.
When did COPS S21E10 air?
Liar Liar #2 aired 2008-11-15 and is listed at 30 minutes.
Is there a host or a script?
Ride-along vérité: handheld cameras, minimal narration, chaos scored to "Bad Boys." The format is the author.
In the series
Why this series still plays
Handheld ride-alongs set to a reggae hook: policing as weekly spectacle, no narrator required. The format that taught reality TV how to chase, cuff, and cut. Controversial by design — vérité as entertainment, neighborhoods as set, and a chorus that still follows every squad-car clip. View it as craft and as argument; it was always both.
Visual first: handheld grain, a reggae hook, neighborhoods framed as set, no narrator to soften the silhouette. John Langley and Malcolm Barbour's Fox series premiered in 1989 and became a syndication staple through the 1990s. *Ride-along vérité as weekly spectacle.* Inner Circle's *Bad Boys* is inseparable from the brand — the chorus that still follows every squad-car clip. **This was not a procedural costume; this was policing photographed as entertainment.**