All episodes Season 7 S07E02 1983-10-07 60 min 1980s CBS

Dallas

The Long Goodbye

TV Flash files “The Long Goodbye” as hour 133 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 7, episode 2, aired 1983-10-07, 60 min.

From the desk

How this hour is filed

This leaf is S07E02: listed hour 133 of 356 in the Dallas guide, hour 2 of 30 in season 7. It aired 1983-10-07 (60 min). The listed hour before it is “The Road Back” (S07E01). Next is “The Letter” (S07E03).

Dallas — The Long Goodbye (S07E02)

Catalog log

Broadcast listing — not a TV Flash recap.

Sue Ellen tells J.R. she wants separate bedrooms and separate lives. Bobby tells Pam the battle for Ewing Oil is over and he wants her back at the ranch. Mickey tells Lucy at the hospital that when he gets out, he wants to marry her. Katherine is shocked to learn that Pam is seeing Bobby again. Clayton tells Bobby that Miss Ellie wants him to look after Southfork till she gets back. Cliff is angry when he learns of Pam's reconciliation with Bobby. Mickey learns that he is permanently paralyzed, J.R. and Katherine plot to prevent Bobby and Pam from getting back together. Mark tells Pam that he will not wait much longer for her to decide about marriage. J.R. threatens Pam to prevent the reconciliation with Bobby.

Viewer FAQ

Where does The Long Goodbye sit in the Dallas guide?

S07E02 is listed hour 133 of 356 — hour 2 of 30 in season 7, season 7 episode 2.

When did Dallas S07E02 air?

The Long Goodbye aired 1983-10-07 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 7

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