All episodes Season 7 S07E05 1983-10-28 60 min 1980s CBS

Dallas

The Quality of Mercy

TV Flash files “The Quality of Mercy” as hour 136 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 7, episode 5, aired 1983-10-28, 60 min.

From the desk

How this hour is filed

This leaf is S07E05: listed hour 136 of 356 in the Dallas guide, hour 5 of 30 in season 7. It aired 1983-10-28 (60 min). The listed hour before it is “My Brother's Keeper” (S07E04). Next is “Check and Mate” (S07E06).

Dallas — The Quality of Mercy (S07E05)

Catalog log

Broadcast listing — not a TV Flash recap.

Bobby confides in Phyllis about his divorce and Lucy confides in Sue Ellen about the situation with Mickey. J.R. tells John Ross that he will get Ewing Oil back for him. Pamela moves back into Rebecca's house, and Cliff offers her a job at Barnes- Wentworth. Cliff recruits Sly as a spy in J.R. 's office. Mickey slips into a coma and is put on a life-support system. Mark proposes to Pamela. A lonely Bobby dates Katherine Wentworth, but also bumps into Holly Harwood, to Katherine's ire. Aunt Lil says she will not be coming to the hospital to see Mickey anymore, now that he's on life-support. J.R. tells a stunned Sue Ellen that Peter Richards has a crush on her. Ray and Aunt Lil are found in Mickey's room with the respirator unplugged.

Viewer FAQ

Where does The Quality of Mercy sit in the Dallas guide?

S07E05 is listed hour 136 of 356 — hour 5 of 30 in season 7, season 7 episode 5.

When did Dallas S07E05 air?

The Quality of Mercy aired 1983-10-28 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 7

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