All episodes Season 7 S07E12 2012-12-16 60 min 2000s Showtime

Dexter

Surprise, Motherfucker!

TV Flash files “Surprise, Motherfucker!” as the last listed hour of season 7 — Dexter (2006–2013) on Showtime, season 7, episode 12, aired 2012-12-16, 60 min.

From the desk

How this hour is filed

This leaf is S07E12: listed hour 84 of 96 in the Dexter guide, last listed hour of season 7. It aired 2012-12-16 (60 min). The listed hour before it is “Do You See What I See?” (S07E11). Next is “A Beautiful Day” (S08E01).

Dexter — Surprise, Motherfucker! (S07E12)

Catalog log

Broadcast listing — not a TV Flash recap.

Dexter visits Hannah in jail to explain why he didn't protect her and she in turn explains why she did what she did. She seems to understand Dexter but has her own plans which don't include prison. Captain LaGuerta disregards the evidence she and Tom Matthews have discovered - and which Dexter planted - which points to Sgt. Doakes as the Bay Harbor Butcher and continues her investigation into Dexter. She arrests him but Dexter has set her up and she is forced to release him leading most at Miami Metro to believe she was trying to frame him. Dexter still wants to get ...

Viewer FAQ

Where does Surprise, Motherfucker! sit in the Dexter guide?

S07E12 is listed hour 84 of 96 — last listed hour of season 7, season 7 episode 12.

When did Dexter S07E12 air?

Surprise, Motherfucker! aired 2012-12-16 and is listed at 60 minutes.

Which Dexter seasons are the cleanest watch?

Early seasons, when the forensic case-of-week and the vigilante dread still share the same temperature. Hall's dual-life performance is the franchise.

In the series

Why this series still plays

Miami blood-spatter analyst by day, vigilante with a code by night: Michael C. Hall made Showtime's serial-killer POV a global export. Early seasons balance case-of-week and dread; later endings and revivals reopened every argument. Premium-cable antihero comfort food with a body count.

October 1, 2006, Showtime puts a blood-spatter analyst on the night like a network once put a cop on Monday: appointment pulp with better lighting and worse manners. Dexter Morgan moonlights as a vigilante bound by a code that lets the living room become co-conspirator. James Manos Jr. developed Jeff Lindsay's novels; Michael C. Hall — still carrying the quiet of *Six Feet Under* — made dual life look like a mid-tempo dance of charm and ice. Jennifer Carpenter's Debra, Julie Benz's Rita, Erik King's Doakes, a…

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