All episodes Season 5 S05E14 2001-02-05 30 min 1990s CBS

Everybody Loves Raymond

Ray's Journal

TV Flash files “Ray's Journal” as hour 111 of 209 in the TV Flash guide — Everybody Loves Raymond (1996–2005) on CBS, season 5, episode 14, aired 2001-02-05, 30 min.

From the desk

How this hour is filed

This leaf is S05E14: listed hour 111 of 209 in the Everybody Loves Raymond guide, hour 14 of 25 in season 5. It aired 2001-02-05 (30 min). The listed hour before it is “Super Bowl” (S05E13). Next is “Silent Partners” (S05E15).

Everybody Loves Raymond — Ray's Journal (S05E14)

Catalog log

Broadcast listing — not a TV Flash recap.

When Marie blurts out an embarrassing incident from Ray's past, he can't figure out how she could have possibly known that information. That is, until he deduces that she must have read—and broken the secret code he used when writing—his journal. And in the process, his mother has learned about his most personal, and perverted, thoughts

Viewer FAQ

Where does Ray's Journal sit in the Everybody Loves Raymond guide?

S05E14 is listed hour 111 of 209 — hour 14 of 25 in season 5, season 5 episode 14.

When did Everybody Loves Raymond S05E14 air?

Ray's Journal aired 2001-02-05 and is listed at 30 minutes.

Is it just stand-up with a living room?

Romano's persona is the seed, but Rosenthal's marriage-and-in-law machine is the craft: setup, interruption, detonation, reaction shots.

In the series

Why this series still plays

Long Island in-laws as contact sport: Ray Romano's sportswriter lives too close to Marie and Frank, while Robert seethes in second place. Philip Rosenthal turns marriage, food warfare, and never moving far enough away into multi-cam precision. Heaton, Roberts, Boyle, Garrett — a murderers' row of reaction shots. Domestic farce at peak craft.

Flash: September 13, 1996, CBS, Long Island, a house too close to another house. Sportswriter Ray Barone lives across the street from Marie and Frank, whose meddling is a contact sport, while brother Robert seethes in perpetual second place. Philip Rosenthal turned domestic friction into multi-cam precision: marriage negotiations, food warfare, the comedy of never moving far enough away. Ray Romano brought stand-up DNA. Patricia Heaton, Doris Roberts, Peter Boyle, Brad Garrett — a murderers' row of reaction…

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