Mad Men
Tomorrowland
TV Flash files “Tomorrowland” as the last listed hour of season 4 — Mad Men (2007–2015) on AMC, season 4, episode 13, aired 2010-10-17, 60 min.
From the desk
How this hour is filed
This leaf is S04E13: listed hour 52 of 92 in the Mad Men guide, last listed hour of season 4. It aired 2010-10-17 (60 min). The listed hour before it is “Blowing Smoke” (S04E12). Next is “A Little Kiss (1)” (S05E01).
Catalog log
Broadcast listing — not a TV Flash recap.
In the Season 4 finale, a surprising opportunity rears its head for both Don and Peggy, leaving them with life-altering decisions to make.
Viewer FAQ
Where does Tomorrowland sit in the Mad Men guide?
S04E13 is listed hour 52 of 92 — last listed hour of season 4, season 4 episode 13.
When did Mad Men S04E13 air?
Tomorrowland aired 2010-10-17 and is listed at 60 minutes.
Where should I start Mad Men?
“Smoke Gets in Your Eyes.” The first hour is the fitting room: gray flannel, fluorescent light, style as character. Do not skip to a “better dressed” season; the argument is the change.
In the series
Why this series still plays
Watch it as a decade of clothes learning to tell on their wearers. Madison Avenue is the fitting room; history is the lighting. If you care how prestige television used beauty as pressure instead of wallpaper — gray flannel to a last unguarded smile — this is the collection that still photographs.
The first flash is gray flannel under a cruel office fluorescent — a suit that has not yet learned the decade’s weather. A cigarette is not a prop; it is punctuation. Jon Hamm’s Don Draper enters as a silhouette that will spend seven seasons trying to become a person, which is a very expensive kind of soft launch. Elisabeth Moss’s Peggy, Christina Hendricks’s Joan, January Jones’s Betty, John Slattery’s Roger: the ensemble is a look board that keeps firing people. Style is already the plot. Tessa can have the…
Filed against
- Jon Hamm as Don Draper
Jon Hamm poured Don Draper’s whiskey and identity crisis across Mad Men’s AMC prestige run — cigarettes, suits, and the American century in a glass. Black Mirror’s White Christmas later proved his anthology chill. TV Flash still smells…
- Elisabeth Moss as Peggy Olson
Elisabeth Moss turned June/Offred into Hulu dystopia's face of endurance on The Handmaid's Tale — red cloaks, close-ups, protest-icon aesthetics. Mad Men's Peggy Olson already proved her long-game craft. TV Flash tracks her as prestige…
- Vincent Kartheiser as Pete Campbell
Vincent Kartheiser’s Pete Campbell is Mad Men’s hungry suit — Madison Avenue as a fitting room with a whiskey budget, silhouette as argument, gray flannel learning to tell on its wearer. On TV Flash he is account-man voltage: prestige…
- January Jones as Betty Draper
January Jones’s Betty Draper is Mad Men as the suburban collection Don cannot merch — cigarettes, suits, and a woman the American century left in a beautiful room. Skip the habit of treating Hamm as the only silhouette. On TV Flash Betty…
- Christina Hendricks as Joan Holloway
Christina Hendricks’s Joan Holloway ruled Mad Men’s office politics in red — style as substance, partner ambition, and AMC prestige brand craft. A neckline and a ledger made Madison Avenue’s gender wars look lethal. TV Flash still studies…
- John Slattery as Roger Sterling
John Slattery’s Roger Sterling is Mad Men’s whiskey punctuation — Madison Avenue as a fitting room, silhouette as argument, a partner who treats history like lighting. Gray flannel to a last unguarded smile. On TV Flash he is AMC prestige…