All episodes Season 7 S07E17 1992-02-29 30 min 1980s ABC

Perfect Strangers

Wayne Man

TV Flash files “Wayne Man” as hour 137 of 150 in the TV Flash guide — Perfect Strangers (1986–1993) on ABC, season 7, episode 17, aired 1992-02-29, 30 min.

From the desk

How this hour is filed

This leaf is S07E17: listed hour 137 of 150 in the Perfect Strangers guide, hour 17 of 24 in season 7. It aired 1992-02-29 (30 min). The listed hour before it is “Yes Sir, That's My Baby” (S07E16). Next is “The Elevator” (S07E18).

Perfect Strangers — Wayne Man (S07E17)

Catalog log

Broadcast listing — not a TV Flash recap.

Balki wins an all-expenses paid trip to Las Vegas but is sad when they can't get any tickets to see Wayne Newton. Jennifer attempts to call up an old boyfriend who can get her tickets, But a jealous Larry calls up Wayne's people and tells them that Balki is going deaf and manages to get tickets. After the concert, Wayne wants to meet Balki personally but Larry is afraid the truth will come out.

Viewer FAQ

Where does Wayne Man sit in the Perfect Strangers guide?

S07E17 is listed hour 137 of 150 — hour 17 of 24 in season 7, season 7 episode 17.

When did Perfect Strangers S07E17 air?

Wayne Man aired 1992-02-29 and is listed at 30 minutes.

Do I need Family Matters first?

Reverse that. Perfect Strangers is the TGIF engine that spun off Family Matters. Balki and Larry are the cousins; the Winslows are the later building.

In the series

Why this series still plays

Balki Bartokomous arrives from Mypos, does the Dance of Joy, and ABC's TGIF finds its fish-out-of-water engine. Bronson Pinchot's accent is the instrument; Mark Linn-Baker is the straight man who never quite recovers. Chicago cousin-comedy that spun off Family Matters and taught a generation not to be ridiculous.

The Dance of Joy is the silhouette. ABC, 1986–1993: Balki Bartokomous arrives from Mypos, Midwestern Larry shares the apartment, and TGIF finds its fish-out-of-water engine. Perfect Strangers is Dale McRaven's Chicago cousin-comedy — Bronson Pinchot's accent as the instrument, Mark Linn-Baker the straight man who never quite recovers. *Physical trademark as choreography, mimic fodder as a look, a greeting that photographs as religion.* Style is the plot. If you only listen to the cousin premise, you are watching…

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Filed against

Also in season 7

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