77 Sunset Strip
Kookie, Kookie, lend me your comb — Hollywood private eyes with cool jazz.
broadcast network
ABC is a broadcast home for television that still shapes what America (and the world) watches.
Catalog
Kookie, Kookie, lend me your comb — Hollywood private eyes with cool jazz.
Mockumentary warmth in a public school — funny without cruelty.
Double agent. Red wigs. J.J. Abrams before the island.
Pine Valley forever — Erica Kane as daytime's defining diva empire.
Dick Clark's after-school dance floor — where kids rated records and stars paid court.
Home-video fails as primetime — user-generated comedy before YouTube.
Don't do the crime if you can't do the time — street-level undercover with a cockatoo.
One squad room, infinite paperwork — the smartest cop comedy that barely left the station.
Pow! Bam! Camp crusader in tights — the color-TV superhero explosion.
Married couples vs. messy stunts and a ticking clock — proto-Fear Factor in formal wear.
Man, woman, birth, death, infinity — intense neurosurgeon drama with a chalkboard creed.
Soap's butler takes the statehouse — deadpan competence vs. political chaos.
Suburban witchcraft and the nose-twitch that launched a thousand GIFs (retroactively).
Upper-middle-class Black family sitcom that smuggled essays into multi-cam comfort.
Cory, Topanga, and Mr. Feeny — growing up on TGIF in public.
Smile — you're on hidden camera. Allen Funt's prank sociology as entertainment.
Feathered hair, jiggle TV debates, and a speakerphone boss who never showed his face.
TV's first hour-long western smash — Clint Walker as the drifting mountain of a hero.
Vietnam through nurses and R&R tents — prestige war drama without the gung-ho filter.
Saunders' squad in WWII Europe — grit over glory on network war TV.
Celebrities, sequins, and judge shade as Monday-night ritual.
Daytime vampires, werewolves, and Collinwood gothic — soap opera goes undead.
Wisteria Lane: lawns perfect, secrets not.
What you talkin' about, Willis? — adoption comedy with very real aftershocks.
Walt himself sells a magic kingdom on Tuesday nights — TV as the world's longest commercial, and a gift.
A little bit country, a little bit rock and roll — sibling variety as teen-idol TV.
Boy genius doctor journals each episode — Neil Patrick Harris arrives.
Oil, shoulder pads, and catfights as national entertainment infrastructure.
Sacramento brood with a columnist dad — blended-family sprawl before it was a genre.
Bookstore sitcom that made history with “The Puppy Episode.”
Fort Courage farce — cavalry, Hekawi schemes, and slapstick frontier corruption.
Survey says! — Richard Dawson kissing contestants into a national habit.
Perfect Strangers spin-off that got Urkel'd into a phenomenon.
De plane! — wishes granted with a twist and a white suit.
Uncle Jesse hair, Olsen twin cuteness, and wholesome chaos as TGIF religion.
Port Charles pulse — 1970s medical soap that set up a later supercouple explosion.
McDreamy forever — medical soap that refused to leave.
Psychiatrist dad, journalist mom, and Kirk Cameron as Tiger Beat chaos.
Nostalgia engine with a leather jacket that jumped a shark and entered the language.
When the Harts take a case — champagne detective couple energy.
Individualized Honors Program kids with a substitute teacher who actually gets them.
Tool Time testosterone and Tim Allen’s grunt — a 1990s ratings bulldozer.
Annalise Keating’s class of killers — twist factory with Viola Davis gravity.
Wire-service reporter vs. monsters — seersucker suit against the supernatural.
Ad-lib puppets and Fran Allison — gentle absurdity that adults watched without irony.
Grasshopper walks the West — martial arts mysticism in a frontier serial.
Schlemiel! Schlimazel! — bottle-cappers, basement dreams, and Milwaukee mayhem.
Suburban innocence as national brand — and later, the punchline for every 'not like that anymore' think piece.
Door Number Three and costume-clad traders — deal-making as carnival chaos.
Bishop Sheen vs. Milton Berle in the ratings — a chalkboard and a cape beat vaudeville some weeks.
Superman as rom-com — Teri Hatcher and Dean Cain’s flying chemistry.
The island that broke forums and taught networks to fear mystery boxes.
Duct tape, paper clips, and no gun — problem-solving as action-hero brand.
Robert Young's kindly GP — house-call empathy as ratings medicine.
A gambler hero who preferred cards to bullets — the western that winked.
Stuttering CGI-ish host and cyberpunk TV news — 20 minutes into the future.
PT-73 hijinks — wartime sitcom with Ernest Borgnine's sneaky skipper.
Three households, one mockumentary — family sitcom reinvented for a new decade.
Will-they detective screwball with fourth-wall wink and production chaos energy.
Nanu nanu — Robin Williams as alien chaos in Boulder, Colorado.
Angela Chase narrates adolescence like it actually hurts — one perfect canceled season.
Widower dad, three boys, and Uncle Charley — domestic sitcom built to last.
There are eight million stories — and this one was shot on the real New York streets.
Butts, badges, and Sipowicz — network TV learning to be adult out loud.
Aloft culture for the masses — Leonard Bernstein, Orson Welles, and Sunday seriousness.
Cousin from Mypos, dance of joy, and Chicago fish-out-of-water chaos.
Cool jazz PI, blonde nightclub, and a Henry Mancini score that outlived the plots.
Prime-time scandal town — secrets, affairs, and serial heat twice a week.
Six episodes of pure Zucker spoof — canceled, then immortal via Naked Gun movies.
Pie-maker touches dead people — candy-colored noir canceled too sweet to live.
Applause-meter misery pageant — the most 1950s show that ever 1950s'd.
Brothers at war with class — the novelization of the American century in chapters.
A boy and his German shepherd at Fort Apache — military kid adventure with bark.
A flying squirrel, a moose, and Cold War satire — Jay Ward's anarchic gift at decade's end.
Integrated L.A. high school — relevance sitcom-drama with chalk dust.
Event television that forced a nation to watch — and talk — together.
Working-class chaos without the sitcom polish — loud, broke, and revolutionary.
Talking cat, magic aunts, and Melissa Joan Hart — TGIF enchantment.
Olivia Pope’s gladiators — Shondaland live-tweeting as national sport.
Conjunction Junction and bills on Capitol Hill — three-minute genius between cartoons.
Fantasy cutaways in a teaching hospital full of found family.
Prime-time rock variety — go-go dancing and British Invasion heat on ABC.
Tia and Tamera — twin sitcom energy that defined mid-’90s youth multi-cam.
Arizona rancher with a Cessna — aviation adventure for kids who wanted wings.
Daytime-soap parody with murder, aliens, and a butler who saw everything.
Commander Buzz Corry vs. the universe — ray guns, brainagraphs, and 30th-century justice.
Mayoral farce in NYC — Michael J. Fox’s comeback engine.
Sorkin walk-and-talk in a sports highlight studio — two seasons of velocity.
Gran Torino buddy cops — street cool with a giant afro sidekick named Huggy Bear.
Hall of Justice roll call — Justice League for the cereal-hour crowd.
Special weapons energy — theme song chart heat and paramilitary gloss.
Sunshine Cab Company's beautiful losers — rough New York hope in a garage.
Marlo Thomas's aspiring actress — single-girl independence in a still-daddy world.
Goth glamour before it was a brand — weirdness as family values.
The real Nelson family playing themselves — meta domestic TV before anyone said 'meta.'
Jaime Sommers: tennis pro, teacher, ear of steel — feminist cyborg cool.
Here's the story — blended-family sitcom that became 70s afterschool religion.
Make Room for Daddy — nightclub dad energy meets living-room warmth.
Bachelor, bachelorette, and innuendo — dating as primetime quiz.
Donna Stone's perfect living room — mid-century motherhood as star vehicle.
Cleveland rocks — big box store workplace sitcom with musical cold opens.
Visual gags, blackouts, and Nairobi Trio — the medium inventing itself for laughs.
Hollywood stuntman who moonlights as a bounty hunter — meta action cheese.
Efrem Zimbalist Jr. vs. the ten most wanted — Bureau procedural as national myth.
Prime-time stone-age sitcom — yabba-dabba-doo as American family brand.
One-armed man mythology and a finale that stopped America.
Teacher in a super-suit who can't quite fly — and that theme song.
Britt Reid and Kato — martial-arts sidekick energy that made Bruce Lee a U.S. star.
They're here — Quinn Martin's alien-invasion paranoia in a suit-and-tie America.
Space-age family sitcom — flying cars, push-button jobs, and Rosie the robot.
A-one and a-two — champagne music for America in a bubble of pure polka polish.
Hugh O'Brian's Earp — Buntline Special justice and a badge polished for prime time.
Hi-Yo Silver — masked justice, a faithful friend, and the purest kids'-western brand of the age.
Excursion of the week — guest stars, cupids in white, and Pacific soft-focus.
Mouseketeers, ears, and 'M-I-C-K-E-Y' — Disney's talent school broadcast daily.
One Black, one white, one blonde — undercover youth cops for the counterculture age.
Neat freak vs. slob — Broadway DNA in a New York apartment.
There is nothing wrong with your television set — sci-fi anthology with teeth.
Come on get happy — family band sitcom that sold real records.
Identical cousins — one Brooklyn bounce, one Edinburgh poise, one Emmy kid star.
Boston lawyers, moral gray, and David E. Kelley’s Emmy factory.
Bill Cullen and the art of the bid — pricing game as mid-century consumer fantasy.
West Virginia clan hits the California farm — rural sitcom before Green Acres made it a punchline.
A widowed dad, a boy, and a rapid-fire Winchester — fatherhood with a lever action.
Moose and squirrel vs. spies — puns, Cold War satire, and fractured fairy tales.
Young cops learning the badge — Spelling-Goldberg earnest street drama.
We can rebuild him — slow-mo bionics and the sound effect you can still hum.
Cable-car cop mentorship — Karl Malden grit and a young Michael Douglas.
Industrial giant, theatrical punch — live drama with a steel-hard production sheen.
Eliot Ness vs. Capone's Chicago — machine-gun morality plays in sharp suits.
Narrated nostalgia that made suburban adolescence feel mythic.
Yuppie angst as weekly opera — feelings, careers, and dinner-party existential dread.
Roper misunderstandings, Jack on a bike, and the art of the slammed door farce.
Space Academy cadets learning the solar system — homework with rocket ships.
Who killed Laura Palmer? — dream logic that broke network TV's brain.
Guadalajara meets Mode magazine — heart, fashion, and fish-out-of-water charm.
Irwin Allen's Seaview — submarine spectacle with sea monsters and Cold War nerves.
A moving town of guest stars — the prairie as anthology stagecoach.
Sweathogs in the back row — and a theme song that charted for real.
Rerun, Raj, and Dwayne — soda-shop hangouts and Mama's basement rules.
Phone-a-friend fever — quiz show as primetime event TV at decade’s end.
Househusband baseball player, ad-exec boss, and will-they tension with gender-role flip.
The thrill of victory, the agony of defeat — anthology sports as global window.
Spinning transformation, golden lasso, and Lynda Carter as patriotic pop icon.
Disney's masked caballero — Z's carved into California legend and kids' hearts.