Sex and the City
Twenty-Something Girls vs. Thirty-Something Women
TV Flash files “Twenty-Something Girls vs. Thirty-Something Women” as hour 29 of 94 in the TV Flash guide — Sex and the City (1998–2004) on HBO, season 2, episode 17, aired 1999-09-26, 30 min.
From the desk
How this hour is filed
This leaf is S02E17: listed hour 29 of 94 in the Sex and the City guide, hour 17 of 18 in season 2. It aired 1999-09-26 (30 min). The listed hour before it is “Was It Good for You?” (S02E16). Next is “Ex and the City” (S02E18).
Catalog log
Broadcast listing — not a TV Flash recap.
Twenty-something women. Friend...or foe? Carrie and the girls get a share in the Hamptons, where Samantha's ex-assistant steals her Rolodex and throws a party; Charlotte dates a twenty-something guy who gives her crabs; Miranda runs into the hairstylist she's suing for age discrimination; and Carrie discovers Big dating a 26-year-old named Natasha.
Viewer FAQ
Where does Twenty-Something Girls vs. Thirty-Something Women sit in the Sex and the City guide?
S02E17 is listed hour 29 of 94 — hour 17 of 18 in season 2, season 2 episode 17.
When did Sex and the City S02E17 air?
Twenty-Something Girls vs. Thirty-Something Women aired 1999-09-26 and is listed at 30 minutes.
Where should I start?
Season 1, episode 1. The voiceover and the four-silhouette contract are the whole machine.
In the series
Why this series still plays
Watch it as the original big-city look book: four women, a voiceover, and shoes that did more character work than half the boyfriends. Manhattan is a lighting setup. The reboot noise is later; this run is the template every brunch-core series still copies.
The first thing you see is a woman on a street that is really a runway. Carrie Bradshaw’s voiceover is a fashion dispatch with dating as the alibi. HBO at the end of the 1990s did not accidentally invent the look book as comedy-drama. Sarah Jessica Parker, Kim Cattrall, Kristin Davis, and Cynthia Nixon made Manhattan photograph as a weekly fitting: four silhouettes, four theories of sex, one city that never dressed casual unless the casual cost more. Style is the plot. The shoe is not a punchline. The shoe is a…
Filed against
- Sarah Jessica Parker as Carrie Bradshaw
Sarah Jessica Parker’s Carrie Bradshaw typed Manhattan desire into a global lifestyle franchise — Sex and the City as fashion, friendship, brunch as appointment TV, and shoes that did more character work than half the boyfriends. Reboots…
- Kim Cattrall as Samantha Jones
Kim Cattrall’s Samantha Jones made brunch into a press strategy on Sex and the City — four women, a voiceover, shoes that did more character work than half the boyfriends. Skin as branding, Manhattan as a campaign. On TV Flash she is the…
- Kristin Davis as Charlotte York
Kristin Davis’s Charlotte York is Sex and the City’s corporate sheath — architecture in a brunch quartet, shoes as character work, Manhattan sidewalk as campaign. Four women and a voiceover; her column is the manners. On TV Flash she is…
- Cynthia Nixon as Miranda Hobbes
Cynthia Nixon’s Miranda Hobbes was Sex and the City’s sharpest counterweight — lawyer skepticism, Brooklyn realism, friendship as lifestyle franchise. A practical coat doing more character work than half the boyfriends. TV Flash still…
- Chris Noth as Mr. Big
Chris Noth’s Det. Mike Logan helped launch Law & Order’s dun-dun empire before Mr. Big made him Sex and the City’s emotional cliffhanger machine. Sparse Manhattan cool and endless will-they discourse built a dual-brand career. TV Flash…