The Wire
Hard Cases
TV Flash files “Hard Cases” as hour 17 of 60 in the TV Flash guide — The Wire (2002–2008) on HBO, season 2, episode 4, aired 2003-06-22, 60 min.
From the desk
How this hour is filed
This leaf is S02E04: listed hour 17 of 60 in the The Wire guide, hour 4 of 12 in season 2. It aired 2003-06-22 (60 min). The listed hour before it is “Hot Shots” (S02E03). Next is “Undertow” (S02E05).
Catalog log
Broadcast listing — not a TV Flash recap.
"If I hear the music, I'm gonna dance." – Greggs D'Angelo confronts Avon about the bad package and washes his hands of the business. Avon brokers a deal to give up the prison officer for a reduction in his sentence. Valchek specifically requests Lieutenant Daniels for the Sobotka investigation. Daniels negotiates with Burrell and secures the promise of his own major crimes unit after the Sobotka investigation ends. Sobotka chastises his son and nephew about their unauthorized smuggling deal with the Greeks; he defends his own illicit deals as a means toward regenerating the ailing dockyard. Ziggy continues to enjoy his new-found wealth. McNulty takes a personal interest in the murdered women and is pressured to find Omar for Bunk Moreland.
Viewer FAQ
Where does Hard Cases sit in the The Wire guide?
S02E04 is listed hour 17 of 60 — hour 4 of 12 in season 2, season 2 episode 4.
When did The Wire S02E04 air?
Hard Cases aired 2003-06-22 and is listed at 60 minutes.
Where should I start The Wire?
Episode one of season one. The show is a five-volume novel; skipping the corner season to “get to the good part” is how you miss the grammar.
In the series
Why this series still plays
Watch it as a civic novel that happens to be television: each season a new institution, the same city refusing to be solved. Characters function inside systems, not merch. Start at the corner; stay for the report card — and for a newsroom closer that still argues with the first wire.
Open on a street that is already an argument. The first hour of The Wire does not introduce a hero so much as a jurisdiction: a corner, a courtroom, a police department already lying to itself about what it can solve. David Simon and Ed Burns write Baltimore as a set of interlocking machines — drugs, docks, City Hall, schools, the newsroom — and then ask television to behave like a novel that refuses a narrator’s mercy. If you came for an antihero origin story, the text will starve you politely. If you came to…
Filed against
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- Idris Elba as Stringer Bell
Idris Elba’s Stringer Bell is The Wire’s MBA language trying to colonize a street that will not be colonized — civic instrument, not brand extension. David Simon’s Baltimore treats institutions as leads; Stringer is the corner with a…
- Wendell Pierce as Bunk Moreland
Wendell Pierce’s Bunk Moreland made The Wire’s homicide hour feel like a civic novel with a cigar — David Simon’s Baltimore in five institutional volumes, the corner never the point, characters inside systems rather than merch. On TV…
- Lance Reddick as Cedric Daniels
Lance Reddick’s Cedric Daniels is The Wire’s institutional still center — David Simon’s Baltimore as interlocking machines, a novel in five civic volumes, the corner never the point. Badge as ethics, not as merch. On TV Flash he is cable…
- Sonja Sohn as Kima Greggs
Sonja Sohn’s Kima Greggs made The Wire’s detective work feel like a civic novel, not a merch cop show — David Simon’s Baltimore in five institutional volumes, the corner never the point. On TV Flash she is the badge inside the system:…
- Clarke Peters as Lester Freamon
Clarke Peters’s Lester Freamon made The Wire’s detail work look like poetry — dollhouse miniatures, quiet fury, institutions as characters. Novelistic HBO crime needed his patience. On TV Flash he’s the detective who always had a longer…