Dallas
Barbecue Four
TV Flash files “Barbecue Four” as hour 143 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 7, episode 12, aired 1983-12-16, 60 min.
From the desk
How this hour is filed
This leaf is S07E12: listed hour 143 of 356 in the Dallas guide, hour 12 of 30 in season 7. It aired 1983-12-16 (60 min). The listed hour before it is “To Catch a Sly” (S07E11). Next is “Past Imperfect” (S07E13).
Catalog log
Broadcast listing — not a TV Flash recap.
J.R. continues to use his secretary Sly to set up Cliff. Bobby wants Jenna Wade to quit her job as a waitress. Peter Richards goes out with Lucy. Katherine investigates Jenna's European past and who Charlie's father is. Sly learns that Cliff has been bluffing about helping her imprisoned brother Steve because the parole board cannot be bought. Katherine tells Pam she needs to go to Rome, Italy to look for romance. Bobby brings Jenna to dinner at Southfork where Miss Ellie and Clayton surprise everybody with their unexpected return but the family is stunned to see Miss Ellie seat Clayton in Jock's old place at the dinner table. J.R. invites Pam, Mark, Afton and Cliff to the annual Ewing barbecue. J.R. wants Cliff to think that he's sincere about ending the Barnes/Ewing feud. Sue Ellen is upset to see Peter at the barbecue but then they kiss. In Rome, Katherine reads Charlie's birth certificate which says Bobby is Charlie's father.
Viewer FAQ
Where does Barbecue Four sit in the Dallas guide?
S07E12 is listed hour 143 of 356 — hour 12 of 30 in season 7, season 7 episode 12.
When did Dallas S07E12 air?
Barbecue Four aired 1983-12-16 and is listed at 60 minutes.
Where should I start — the miniseries or the shooting?
Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.
In the series
Why this series still plays
Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.
The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…
Filed against
- Larry Hagman as J.R. Ewing
Larry Hagman’s J.R. Ewing made “Who shot J.R.?” a global summer sport on Dallas — oil-opera villainy with a smile that sold cliffhangers. Southfork seating charts, spoiler culture as national weather. On TV Flash he is primetime soap’s…
- Patrick Duffy as Bobby Ewing
Patrick Duffy’s Bobby Ewing was Dallas’s good-son lighting — Southfork virtue against Larry Hagman’s grin, and the dream-season delete that still starts fights. CBS taught television how to own a summer. TV Flash still asks who shot the…
- Linda Gray as Sue Ellen Ewing
Linda Gray’s Sue Ellen Ewing is Dallas as a marriage crime scene — Southfork seating charts, Larry Hagman’s grin as a weapon, a summer-long question that made appointment TV feel like a manhunt. Oil-opera spouse as more than a hemline. On…
- Victoria Principal as Pamela Barnes Ewing
Victoria Principal’s Pamela Barnes Ewing made Dallas a Southfork seating chart with a pulse — Texas oil, Larry Hagman’s grin as a weapon, and a cliffhanger that turned spoiler culture into national weather. On TV Flash she is the…
- Barbara Bel Geddes as Miss Ellie Ewing
Barbara Bel Geddes steadied Dallas as Miss Ellie Ewing — Southfork matriarch with moral gravity amid oil-opera excess and “Who shot J.R.?” mania. She made primetime soap feel like family business. TV Flash files her as the Ewing…
- Jim Davis as Jock Ewing
Jim Davis’s Jock Ewing is Dallas as the table the oil opera had to sit at — Southfork land, a seating chart with a ranch attached, the father the cliffhanger generation had to come home to. Who shot J.R. taught TV how to own a summer;…