All episodes Season 7 S07E28 1984-05-04 60 min 1980s CBS

Dallas

Love Stories

TV Flash files “Love Stories” as hour 159 of 356 in the TV Flash guide — Dallas (1978–1991) on CBS, season 7, episode 28, aired 1984-05-04, 60 min.

From the desk

How this hour is filed

This leaf is S07E28: listed hour 159 of 356 in the Dallas guide, hour 28 of 30 in season 7. It aired 1984-05-04 (60 min). The listed hour before it is “Turning Point” (S07E27). Next is “Hush, Hush, Sweet Jessie” (S07E29).

Dallas — Love Stories (S07E28)

Catalog log

Broadcast listing — not a TV Flash recap.

Mark insists on a big wedding. Katherine tells an unaware Bobby of J.R's "blackmail tape" and Bobby has a showdown with her. J.R. keeps digging into Clayton's past and his wife Amy's death in San Angelo years ago. Bobby confronts J.R. about Katherine and the tape. J.R. pressures Bobby to marry Jenna Wade. Peter is in jail and he asks Sue Ellen for help in posting bail. Mark learns the truth about his health. Jenna accepts Bobby's marriage proposal. J.R. puts on an act in front of Peter and Sue Ellen. Cliff admits to Pam that he's financially ruined. Pam is devastated to learn of tragedy striking Mark.

Viewer FAQ

Where does Love Stories sit in the Dallas guide?

S07E28 is listed hour 159 of 356 — hour 28 of 30 in season 7, season 7 episode 28.

When did Dallas S07E28 air?

Love Stories aired 1984-05-04 and is listed at 60 minutes.

Where should I start — the miniseries or the shooting?

Start with Digger’s Daughter so the table has names, then the first barbecue, then the 1980 cliffhanger and its answer. You can sample the dream-season aftershock without fourteen seasons of leases.

In the series

Why this series still plays

Watch it to see spoiler culture get invented in public: a Texas oil table, a villain America loved, and a summer-long question that made appointment TV feel like a crime scene. The dream season is the delete that still starts fights.

The shot was not the story. The summer was the story. March 1980, CBS, J.R. Ewing on the floor of an office, and then months of a country asking a question like it was a relationship status. Who shot J.R.? was not a plot point. It was a premiere-night soft launch of event television: every magazine cover a red carpet, every barstool a group chat, every publicist pretending the secret could hold. Larry Hagman made villainy photograph as charm. If you only watched the official stills — the hat, the oil, the ranch —…

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Also in season 7

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