I Love Lucy
Lucy Visits Grauman's
TV Flash files “Lucy Visits Grauman's” as the first listed hour of season 5 — I Love Lucy (1951–1957) on CBS, season 5, episode 1, aired 1955-10-03, 30 min.
From the desk
How this hour is filed
This leaf is S05E01: listed hour 128 of 180 in the I Love Lucy guide, first listed hour of season 5. It aired 1955-10-03 (30 min). The listed hour before it is “The Tour” (S04E30). Next is “Lucy and John Wayne” (S05E02).
Catalog log
Broadcast listing — not a TV Flash recap.
Ricky has completed his movie for MGM, but Lucy and the Mertzes convince him to let them stay in Hollywood for one more week. While sight-seeing, Lucy discovers that the cement slab with John Wayne's footprints and signature in front of Grauman's Chinese Theater has become loose. Lucy talks Ethel into helping her steal the slab to keep as a souvenir, and as they make their get-away, Lucy gets her foot caught in a bucket of cement. Ricky demands that they return the slab to the theater forecourt, but while trying to return it, Lucy and Ethel accidentally destroy it.
Viewer FAQ
Where does Lucy Visits Grauman's sit in the I Love Lucy guide?
S05E01 is listed hour 128 of 180 — first listed hour of season 5, season 5 episode 1.
When did I Love Lucy S05E01 air?
Lucy Visits Grauman's aired 1955-10-03 and is listed at 30 minutes.
Where should I start?
Start with the 1951 nightclub opener, then the candy-line hour. Those two teach the marriage contract and the physical-comedy machine; the rest of the run is variations on both.
In the series
Why this series still plays
Ball owned the joke and the company. Watch the live-audience blocking, the marriage-as-engine, and the way Desilu turned a Monday night into national infrastructure. Reruns still teach timing that prestige comedies keep rediscovering as if they invented the studio audience.
CBS Monday, 1951: three networks, a living room with no scroll, and a redhead who treated physical comedy like a contact sport. I Love Lucy did not drop. It arrived, film rolling, audience laughing in the same room as the furniture, and America discovered that a sitcom could be both popular and formally serious. Lucille Ball and Desi Arnaz were not merely a TV couple. They were the production company. Desilu’s three-camera method, the live audience, the blocking that still gets stolen — that is the industrial…
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