All episodes Season 2 S02E05 2016-09-02 52 min 2010s Netflix

Narcos

The Enemies of My Enemy

TV Flash files “The Enemies of My Enemy” as hour 15 of 30 in the TV Flash guide — Narcos (2015–2017) on Netflix, season 2, episode 5, aired 2016-09-02, 52 min.

From the desk

How this hour is filed

This leaf is S02E05: listed hour 15 of 30 in the Narcos guide, hour 5 of 10 in season 2. It aired 2016-09-02 (52 min). The listed hour before it is “The Good, the Bad, and the Dead” (S02E04). Next is “Los Pepes” (S02E06).

Narcos — The Enemies of My Enemy (S02E05)

Catalog log

Broadcast listing — not a TV Flash recap.

The Search Bloc gets a new leader. Javier loses faith in the system. Pablo brings Tata brother Carlos down from Miami to cheer her up.

Viewer FAQ

Where does The Enemies of My Enemy sit in the Narcos guide?

S02E05 is listed hour 15 of 30 — hour 5 of 10 in season 2, season 2 episode 5.

When did Narcos S02E05 air?

The Enemies of My Enemy aired 2016-09-02 and is listed at 52 minutes.

Is Narcos: Mexico a sequel I have to watch?

Companion series, different timeline and map. The original three seasons close the Colombian/Escobar-centered run; Mexico is related, not required homework.

In the series

Why this series still plays

DEA agents chase Colombian cartels as Wagner Moura's Pablo Escobar builds and burns an empire. Brancato, Bernard, and Miro's bilingual Netflix crime made Spanish-language dialogue a mass-audience feature, not a barrier. Three seasons, then the Mexico companion. Docudrama voiceover, kingpin heat, geopolitical bite — Escobar TV mythology with a modern definitive face.

August 28, 2015: a descent, a kingpin, a bilingual dump that refused to treat Spanish as a barrier. Chris Brancato, Carlo Bernard, and Doug Miro's *Narcos* put Wagner Moura's Pablo Escobar at terrifying center of gravity while Pedro Pascal's Javier Peña and Boyd Holbrook's Steve Murphy hunt. Docudrama voiceover meets prestige heat. Kingpins fall; the market remains. Max will file three seasons as a global SKU. **Spanish-language-heavy storytelling for mass U.S. audiences was the historical claim, not a subtitle…

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