All episodes Season 3 S03E24 1959-03-19 90 min 1950s CBS

Playhouse 90

For Whom the Bell Tolls (Part Two)

TV Flash files “For Whom the Bell Tolls (Part Two)” as hour 103 of 133 in the TV Flash guide — Playhouse 90 (1956–1960) on CBS, season 3, episode 24, aired 1959-03-19, 90 min.

From the desk

How this hour is filed

This leaf is S03E24: listed hour 103 of 133 in the Playhouse 90 guide, hour 24 of 38 in season 3. It aired 1959-03-19 (90 min). The listed hour before it is “For Whom the Bell Tolls (Part One)” (S03E23). Next is “A Trip to Paradise” (S03E25).

Playhouse 90 still
No original recap on file. TV Flash does not invent plots for missing hours. Title, airdate, and the hour filing above are the magazine record for this leaf.

Viewer FAQ

Where does For Whom the Bell Tolls (Part Two) sit in the Playhouse 90 guide?

S03E24 is listed hour 103 of 133 — hour 24 of 38 in season 3, season 3 episode 24.

When did Playhouse 90 S03E24 air?

For Whom the Bell Tolls (Part Two) aired 1959-03-19 and is listed at 90 minutes.

Where should I start?

Start with the most cited nights named in the record: Serling's Requiem for a Heavyweight and the TV Judgment at Nuremberg, then branch into other surviving Manulis-era teleplays.

In the series

Why this series still plays

Playhouse 90 treated living rooms like Broadway with a stopwatch: ninety-minute teleplays, often live, from Serling's Requiem for a Heavyweight to a TV Judgment at Nuremberg. A 2026 viewer watches the gold standard of Golden Age drama — sponsor meddling, high-wire nights, and prestige Variety still ranked among television's greatest.

Flash: a living room pretending it has orchestra seats, a stopwatch instead of a curtain, and a sponsor already in the wings with a pencil. CBS's *Playhouse 90* ran October 4, 1956 through May 18, 1960 — 133 episodes of original teleplays and adaptations, often live, prestige as a dare. Martin Manulis steered the machine. Rod Serling's *Requiem for a Heavyweight* and a television *Judgment at Nuremberg* were not museum labels. They were high-wire nights with last-minute rewrites and the kind of technical panic…

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