Sex and the City
The Good Fight
TV Flash files “The Good Fight” as hour 61 of 94 in the TV Flash guide — Sex and the City (1998–2004) on HBO, season 4, episode 13, aired 2002-01-06, 30 min.
From the desk
How this hour is filed
This leaf is S04E13: listed hour 61 of 94 in the Sex and the City guide, hour 13 of 18 in season 4. It aired 2002-01-06 (30 min). The listed hour before it is “Just Say Yes” (S04E12). Next is “All That Glitters...” (S04E14).

Catalog log
Broadcast listing — not a TV Flash recap.
As Aidan and all his stuff officially move into Carrie's apartment, Carrie starts feeling increasingly claustrophobic. Carrie complains to the girls that without any private space, she can't indulge in SSB or "secret single behavior." Carrie, Miranda and Charlotte tease Samantha about her affection for her client and lover Richard. Samantha insists that her emotions are intact and that Richard is simply "Dick-alicious." Miranda, meanwhile, would love to get laid by her blind date, Walker Lewis, but is conflicted about having sex while pregnant. She wonders if it's her last chance for sex. Carrie panics when she finds out that she and Aidan won't be able to take over the apartment next door for another month. When Aidan proposes cleaning out her closet, she panics even more. As she watches Aidan move her precious Manolos and designer garb and when Pete starts gnawing on one of her stilettos, a heated argument ensues. After much yelling, Carrie storms out with her laptop and wonders: When it comes to relationships, what are we fighting for? Things aren't much better in the shaky marital abode of Charlotte and Trey. When Trey brings Charlotte a surprise present - a cardboard baby, Charlotte is appalled and also storms out. Carrie and Aidan's silent war lasts three days without any apologies. Meanwhile, Samantha meets Richard and is taken aback by the romantic scene he's set up. She reminds him that they're about work and sex and nothing more. After some skinny dipping and hot sex, Richard asks Samantha to dance. She tries to make it sexual, but Richard resists and Samantha gives in. Carrie finally apologizes to Aidan and confesses that she needs him to not talk to her for one whole hour. He agrees but after a minute she returns to him, realizing that sometimes when you get your needs met, you don't need them anymore. Miranda decides
Viewer FAQ
Where does The Good Fight sit in the Sex and the City guide?
S04E13 is listed hour 61 of 94 — hour 13 of 18 in season 4, season 4 episode 13.
When did Sex and the City S04E13 air?
The Good Fight aired 2002-01-06 and is listed at 30 minutes.
Where should I start?
Season 1, episode 1. The voiceover and the four-silhouette contract are the whole machine.
In the series
Why this series still plays
Watch it as the original big-city look book: four women, a voiceover, and shoes that did more character work than half the boyfriends. Manhattan is a lighting setup. The reboot noise is later; this run is the template every brunch-core series still copies.
The first thing you see is a woman on a street that is really a runway. Carrie Bradshaw’s voiceover is a fashion dispatch with dating as the alibi. HBO at the end of the 1990s did not accidentally invent the look book as comedy-drama. Sarah Jessica Parker, Kim Cattrall, Kristin Davis, and Cynthia Nixon made Manhattan photograph as a weekly fitting: four silhouettes, four theories of sex, one city that never dressed casual unless the casual cost more. Style is the plot. The shoe is not a punchline. The shoe is a…
Filed against
- Sarah Jessica Parker as Carrie Bradshaw
Sarah Jessica Parker’s Carrie Bradshaw typed Manhattan desire into a global lifestyle franchise — Sex and the City as fashion, friendship, brunch as appointment TV, and shoes that did more character work than half the boyfriends. Reboots…
- Kim Cattrall as Samantha Jones
Kim Cattrall’s Samantha Jones made brunch into a press strategy on Sex and the City — four women, a voiceover, shoes that did more character work than half the boyfriends. Skin as branding, Manhattan as a campaign. On TV Flash she is the…
- Kristin Davis as Charlotte York
Kristin Davis’s Charlotte York is Sex and the City’s corporate sheath — architecture in a brunch quartet, shoes as character work, Manhattan sidewalk as campaign. Four women and a voiceover; her column is the manners. On TV Flash she is…
- Cynthia Nixon as Miranda Hobbes
Cynthia Nixon’s Miranda Hobbes was Sex and the City’s sharpest counterweight — lawyer skepticism, Brooklyn realism, friendship as lifestyle franchise. A practical coat doing more character work than half the boyfriends. TV Flash still…
- Chris Noth as Mr. Big
Chris Noth’s Det. Mike Logan helped launch Law & Order’s dun-dun empire before Mr. Big made him Sex and the City’s emotional cliffhanger machine. Sparse Manhattan cool and endless will-they discourse built a dual-brand career. TV Flash…