The Wire
The Target
TV Flash files “The Target” as the hour the catalog opens — The Wire (2002–2008) on HBO, season 1, episode 1, aired 2002-06-02, 60 min.
From the desk
How this hour is filed
This leaf is S01E01: listed hour 1 of 60 in the The Wire guide, first listed hour of season 1. It aired 2002-06-02 (60 min). No earlier hour is listed in this guide. Next is “The Detail” (S01E02).
The Target: a corner, a courtroom, a department already lying to itself. The series thesis is institutional, not heroic.
Catalog log
Broadcast listing — not a TV Flash recap.
Homicide detective Jimmy McNulty observes the murder trial of a mid-level drug dealer, D'Angelo Barksdale, and sees the prosecution's star witness recant her testimony. McNulty recognises drug king-pin Stringer Bell in the court room and believes he has manipulated the proceedings, so he circumvents the chain-of-command by talking to the judge, Daniel Phelan, who then places pressure on the police department to investigate the Barksdale drug-dealing organization, which, McNulty claims, has gotten away with ten murders in the last year. D'Angelo is welcomed home by his uncle, Barksdale patriarch, Avon, who is frustrated with him for placing himself in a situation where the police could charge him. Nevertheless, Avon allows him to return to work, but in what D'Angelo sees as a demotion, he is moved to a low-rise housing project known as "the pit." Meanwhile, homeless drug addict Bubbles, acts as mentor to another addict, Johnny Weeks, in an ill-conceived scam with severe consequences.
Viewer FAQ
Where does The Target sit in the The Wire guide?
S01E01 is listed hour 1 of 60 — first listed hour of season 1, season 1 episode 1.
When did The Wire S01E01 air?
The Target aired 2002-06-02 and is listed at 60 minutes.
Where should I start The Wire?
Episode one of season one. The show is a five-volume novel; skipping the corner season to “get to the good part” is how you miss the grammar.
In the series
Why this series still plays
Watch it as a civic novel that happens to be television: each season a new institution, the same city refusing to be solved. Characters function inside systems, not merch. Start at the corner; stay for the report card — and for a newsroom closer that still argues with the first wire.
Open on a street that is already an argument. The first hour of The Wire does not introduce a hero so much as a jurisdiction: a corner, a courtroom, a police department already lying to itself about what it can solve. David Simon and Ed Burns write Baltimore as a set of interlocking machines — drugs, docks, City Hall, schools, the newsroom — and then ask television to behave like a novel that refuses a narrator’s mercy. If you came for an antihero origin story, the text will starve you politely. If you came to…
Filed against
- Dominic West as Jimmy McNulty
Dominic West swaggered through The Wire as Det. Jimmy McNulty — brilliant, self-destructive, and allergic to institutional sense. David Simon's Baltimore saga made him the face of novelistic cable crime. On TV Flash he is still arguing…
- Idris Elba as Stringer Bell
Idris Elba’s Stringer Bell is The Wire’s MBA language trying to colonize a street that will not be colonized — civic instrument, not brand extension. David Simon’s Baltimore treats institutions as leads; Stringer is the corner with a…
- Wendell Pierce as Bunk Moreland
Wendell Pierce’s Bunk Moreland made The Wire’s homicide hour feel like a civic novel with a cigar — David Simon’s Baltimore in five institutional volumes, the corner never the point, characters inside systems rather than merch. On TV…
- Lance Reddick as Cedric Daniels
Lance Reddick’s Cedric Daniels is The Wire’s institutional still center — David Simon’s Baltimore as interlocking machines, a novel in five civic volumes, the corner never the point. Badge as ethics, not as merch. On TV Flash he is cable…
- Sonja Sohn as Kima Greggs
Sonja Sohn’s Kima Greggs made The Wire’s detective work feel like a civic novel, not a merch cop show — David Simon’s Baltimore in five institutional volumes, the corner never the point. On TV Flash she is the badge inside the system:…
- Clarke Peters as Lester Freamon
Clarke Peters’s Lester Freamon made The Wire’s detail work look like poetry — dollhouse miniatures, quiet fury, institutions as characters. Novelistic HBO crime needed his patience. On TV Flash he’s the detective who always had a longer…