The Wire
The Buys
TV Flash files “The Buys” as hour 3 of 60 in the TV Flash guide — The Wire (2002–2008) on HBO, season 1, episode 3, aired 2002-06-16, 60 min.
From the desk
How this hour is filed
This leaf is S01E03: listed hour 3 of 60 in the The Wire guide, hour 3 of 13 in season 1. It aired 2002-06-16 (60 min). The listed hour before it is “The Detail” (S01E02). Next is “Old Cases” (S01E04).
Catalog log
Broadcast listing — not a TV Flash recap.
"The king stay the king." - D'AngeloAfter early morning "field interviews" conducted by Herc, Carver and Prez lead to a minor riot and bad publicity for the police, Daniels gets called in by the Deputy Commissioner. McNulty sends Mahone and Polk to the terrace to get a photo of Avon Barksdale. They come up short but soft- spoken Freamon comes through with an old photo from Barksdale's boxing days. McNulty and Greggs visit FBI agent Fitzhugh to try and obtain some surveillance equipment. D'Angelo delivers the daily count to Stringer Bell who in turn, gives D'Angelo a bonus. Later, while Bodie and D'Angelo wait for the new supply to arrive, D'Angelo offers to get food. While he's gone Bodie, Stinkum and the crew go to retrieve the new supply only renegade dealer Omar and his crew get there and steal the drugs for themselves. The next day D'Angelo gets chewed out by Wee Bey -- a Barksdale enforcer -- for not being around when the incident happened. After getting chided by his superiors, Lieutenant Daniels mobilizes the team to raid "The Pit". Bodie hits one of the detectives while getting arrested and the rest of the officers proceed to beat Bodie. McNulty secretly meets with agent Fitzhugh who tells him to watch out for Lieutenant Daniels -- who might be on the take.
Viewer FAQ
Where does The Buys sit in the The Wire guide?
S01E03 is listed hour 3 of 60 — hour 3 of 13 in season 1, season 1 episode 3.
When did The Wire S01E03 air?
The Buys aired 2002-06-16 and is listed at 60 minutes.
Where should I start The Wire?
Episode one of season one. The show is a five-volume novel; skipping the corner season to “get to the good part” is how you miss the grammar.
In the series
Why this series still plays
Watch it as a civic novel that happens to be television: each season a new institution, the same city refusing to be solved. Characters function inside systems, not merch. Start at the corner; stay for the report card — and for a newsroom closer that still argues with the first wire.
Open on a street that is already an argument. The first hour of The Wire does not introduce a hero so much as a jurisdiction: a corner, a courtroom, a police department already lying to itself about what it can solve. David Simon and Ed Burns write Baltimore as a set of interlocking machines — drugs, docks, City Hall, schools, the newsroom — and then ask television to behave like a novel that refuses a narrator’s mercy. If you came for an antihero origin story, the text will starve you politely. If you came to…
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Idris Elba’s Stringer Bell is The Wire’s MBA language trying to colonize a street that will not be colonized — civic instrument, not brand extension. David Simon’s Baltimore treats institutions as leads; Stringer is the corner with a…
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