Arrested Development
Notapusy
TV Flash files “Notapusy” as hour 44 of 84 in the TV Flash guide — Arrested Development (2003–2006) on Fox, season 3, episode 4, aired 2005-11-07, 30 min.
From the desk
How this hour is filed
This leaf is S03E04: listed hour 44 of 84 in the Arrested Development guide, hour 4 of 13 in season 3. It aired 2005-11-07 (30 min). The listed hour before it is “Forget Me Now” (S03E03). Next is “Mr. F” (S03E05).

Catalog log
Broadcast listing — not a TV Flash recap.
In an effort to prove to Rita he's not a wimp, Michael tries to convince George Michael to join him in some manly activities, but George Michael is too busy prepping girlfriend Ann for an Inner-beauty Pageant. So Michael and his recently discovered nephew Steve Holt enter a triathlon, only to discover Gob is the one who stumbles at the finish line. Back at work, Michael must deal with a huge mole problem in order to salvage a major real estate deal. But when Gob and Buster team up with George Sr.'s surrogate, Larry, to help Michael save the deal, their plan falls apart in a big way. Meanwhile, Tobias mistakes a CIA agent for a CAA agent and inadvertently betrays the family, and Michael makes Rita a proposal she can't refuse.
Viewer FAQ
Where does Notapusy sit in the Arrested Development guide?
S03E04 is listed hour 44 of 84 — hour 4 of 13 in season 3, season 3 episode 4.
When did Arrested Development S03E04 air?
Notapusy aired 2005-11-07 and is listed at 30 minutes.
Where should I start Arrested Development?
The Fox pilot. Season one teaches the dialect — narrator, callbacks, model home. Do not start at the Netflix seasons and work backward.
In the series
Why this series still plays
A sitcom written like a crossword: callbacks as plot, narration as a raised eyebrow. Watch the Fox years for joke density unmatched on network; treat the Netflix seasons as a different machine. It teaches rewatch comedy, then tests whether revival is the same sport — and it does have a last episode, in 2019.
Open on a narrator who is already the joke. Ron Howard’s voice is not garnish; it is a formal device, a raised eyebrow with residuals. Arrested Development, created by Mitchell Hurwitz, treats the single-camera sitcom like a crossword: callbacks as plot, cutaways as punctuation, a family so densely incompetent that rewatch becomes a second job. Jason Bateman’s Michael is the straight man as a structural beam. Will Arnett’s Gob, Portia de Rossi’s Lindsay, Michael Cera’s George Michael, Alia Shawkat’s Maeby, Tony…
Filed against
- Jason Bateman as Michael Bluth
Jason Bateman’s straight-man Michael Bluth held Arrested Development’s callback circus together — a crossword sitcom whose only adult is also a punch line. Fox cult, Netflix revival, a family so densely incompetent that rewatch is a…
- Portia de Rossi as Lindsay Bluth Fünke
Portia de Rossi’s Lindsay Bluth Fünke is Arrested Development’s activist as costume — a Bluth who treats causes like outfits and family like a crossword clue. Mitchell Hurwitz wrote callbacks as plot; Ron Howard’s narration raised an…
- Will Arnett as Gob Bluth
Will Arnett’s Gob Bluth made Arrested Development a magician’s disaster in a tailored suit — Mitchell Hurwitz’s crossword sitcom, Fox cult joke density, narration as a raised eyebrow, callbacks as plot. On TV Flash he is illusion as…
- Michael Cera as George Michael Bluth
Michael Cera’s George Michael Bluth is Arrested Development’s awkward moral weather — the son who still thinks a kiss is a constitutional crisis inside Mitchell Hurwitz’s crossword sitcom. Fox cult, Netflix revival, narration as a raised…
- Alia Shawkat as Maeby Fünke
Alia Shawkat’s Maeby Fünke turned Arrested Development’s teenage scheming into callback comedy gold — fake IDs, studio lots, and deadpan family chaos. She grew up inside cult rewatch culture and never lost the edge. TV Flash keeps her on…
- Tony Hale as Buster Bluth
Tony Hale’s Buster Bluth made Arrested Development’s mother issues into physical comedy gold, then became Selina Meyer’s human shield Gary on Veep. Emmy-winning anxiety as art form. Callbacks as sitcom architecture, humiliation as a D.C.…