All episodes Season 1 S01E17 1973-01-28 30 min 1970s CBS

M*A*S*H

Sometimes You Hear the Bullet

TV Flash files “Sometimes You Hear the Bullet” as a desk essential hour — M*A*S*H (1972–1983) on CBS, season 1, episode 17, aired 1973-01-28, 30 min.

From the desk

How this hour is filed

This leaf is S01E17: listed hour 17 of 251 in the M*A*S*H guide, hour 17 of 24 in season 1. It aired 1973-01-28 (30 min). The listed hour before it is “The Ringbanger” (S01E16). Next is “Dear Dad, Again” (S01E18).

Essential hour

Essential hour: “Sometimes You Hear the Bullet”. The first clear receipt. A comedy that lets friendship arrive with a cost the sitcom hour is not built to refund.

M*A*S*H — Sometimes You Hear the Bullet (S01E17)

Catalog log

Broadcast listing — not a TV Flash recap.

Frank throws his back out whilst spending the evening with Margaret, and ends up in traction. He promptly applies for the Purple Heart, having been 'technically' wounded at a frontline unit. Tommy Gillis, an old friend of Hawkeye's, is writing a book about the war, and pays him a visit. Later, Tommy is brought into the camp, seriously wounded, and Hawkeye can't save him. A 15-year-old kid is in the hospital to have his appendix out. He joined up to be a hero back home, but Hawkeye has him sent home, giving him Frank's purple heart.

Viewer FAQ

Where does Sometimes You Hear the Bullet sit in the M*A*S*H guide?

S01E17 is listed hour 17 of 251 — hour 17 of 24 in season 1, season 1 episode 17.

When did M*A*S*H S01E17 air?

Sometimes You Hear the Bullet aired 1973-01-28 and is listed at 30 minutes.

Where should I start if I cannot watch all eleven seasons?

Start with the 1972 pilot to learn the tent's manners, then jump to Sometimes You Hear the Bullet and Abyssinia, Henry. Those three hours teach the joke-to-wound contract better than a clip reel.

In the series

Why this series still plays

Eleven seasons of a network comedy that kept rewriting its own permission slip — Korea as the set, Vietnam as the aftertaste, and a goodbye still quoted whenever someone needs proof a sitcom can stop the country.

February 28, 1983, CBS did not program a sitcom. It programmed weather. Goodbye, Farewell and Amen ate the night, the morning papers, and a ratings myth executives still quote like scripture — a two-and-a-half-hour close on a Korean War tent America had been visiting since September 1972. The helicopters were already folklore. The laugh track, by then, had learned when to shut up. On the palate: canvas, cigarette haze, and a three-act clock that could turn a punchline into a casualty without changing the lighting.

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Filed against

Also in season 1

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