M*A*S*H
Goodbye, Farewell and Amen
TV Flash files “Goodbye, Farewell and Amen” as the listed series bookend — M*A*S*H (1972–1983) on CBS, season 11, episode 16, aired 1983-02-28, 150 min.
From the desk
How this hour is filed
This leaf is S11E16: listed hour 251 of 251 in the M*A*S*H guide, last listed hour of season 11. It aired 1983-02-28 (150 min). The listed hour before it is “As Time Goes By” (S11E15). No later hour is listed in this guide.
The honest closer, not a reunion bait. Two-and-a-half hours of a CBS comedy that had already become civic furniture — and still had to say goodbye on a Monday night.

Catalog log
Broadcast listing — not a TV Flash recap.
In the closing days of the Korean War, the staff of the 4077 M*A*S*H Unit find themselves facing irrevocable changes in their lives.
Viewer FAQ
Where does Goodbye, Farewell and Amen sit in the M*A*S*H guide?
S11E16 is listed hour 251 of 251 — last listed hour of season 11, season 11 episode 16.
When did M*A*S*H S11E16 air?
Goodbye, Farewell and Amen aired 1983-02-28 and is listed at 150 minutes.
Where should I start if I cannot watch all eleven seasons?
Start with the 1972 pilot to learn the tent's manners, then jump to Sometimes You Hear the Bullet and Abyssinia, Henry. Those three hours teach the joke-to-wound contract better than a clip reel.
In the series
Why this series still plays
Eleven seasons of a network comedy that kept rewriting its own permission slip — Korea as the set, Vietnam as the aftertaste, and a goodbye still quoted whenever someone needs proof a sitcom can stop the country.
February 28, 1983, CBS did not program a sitcom. It programmed weather. Goodbye, Farewell and Amen ate the night, the morning papers, and a ratings myth executives still quote like scripture — a two-and-a-half-hour close on a Korean War tent America had been visiting since September 1972. The helicopters were already folklore. The laugh track, by then, had learned when to shut up. On the palate: canvas, cigarette haze, and a three-act clock that could turn a punchline into a casualty without changing the lighting.
Filed against
- Alan Alda as Capt. Hawkeye Pierce
Alan Alda defined 1970s television as Hawkeye Pierce on M*A*S*H, blending scalpel wit with antiwar ache until a two-and-a-half-hour goodbye stopped a nation. Actor, writer, and director of the series’ later seasons, he proved a sitcom…
- Loretta Swit as Maj. Margaret Houlihan
Loretta Swit’s Maj. Margaret Houlihan is the officer M*A*S*H had to let grow up — the Army nurse who started as a punchline and became a person inside CBS’s Korean War tent. Eleven seasons of gallows humor as appointment TV needed a…
- Jamie Farr as Cpl. Maxwell Klinger
Jamie Farr’s Cpl. Maxwell Klinger is M*A*S*H as a section-eight gag that grew a soul — dresses, Toledo longing, and wartime comedy that refused to leave him a punchline. Harry Morgan restabilized command; Farr restabilized the joke. On TV…
- Harry Morgan as Col. Sherman Potter
Harry Morgan steadied M*A*S*H as Col. Sherman T. Potter after the command shuffle — horse sense, heart, and wartime comedy craft. Dragnet-era roots as Officer Bill Gannon made him institutional memory on legs. On TV Flash he is the…
- Gary Burghoff as Cpl. Radar O'Reilly
Gary Burghoff played Cpl. Radar O'Reilly on M*A*S*H — the company clerk as the tent's nervous system, gallows humor that could hear the helicopters before the laugh track did. TV Flash files him as 4077th craft: the kid who made a war…