All episodes Season 1 S01E13 1960-01-07 60 min 1950s ABC

The Untouchables

Syndicate Sanctuary

TV Flash files “Syndicate Sanctuary” as hour 13 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 1, episode 13, aired 1960-01-07, 60 min.

From the desk

How this hour is filed

This leaf is S01E13: listed hour 13 of 118 in the The Untouchables guide, hour 13 of 28 in season 1. It aired 1960-01-07 (60 min). The listed hour before it is “The Underground Railway” (S01E12). Next is “The Noise of Death” (S01E14).

The Untouchables — Syndicate Sanctuary (S01E13)

Catalog log

Broadcast listing — not a TV Flash recap.

With Al Capone out of the way, the mob is looking to relocate its base of operations outside of Chicago in a nearby community. Their first step is to get rid of the incorruptible mayoral candidate, Judge Leon Zabo, who they run down in the street. The Coroner's inquest is a sham and it is obvious that the Chief of Police, who appoints the Coroner, is already in the syndicate's pocket.

Viewer FAQ

Where does Syndicate Sanctuary sit in the The Untouchables guide?

S01E13 is listed hour 13 of 118 — hour 13 of 28 in season 1, season 1 episode 13.

When did The Untouchables S01E13 air?

Syndicate Sanctuary aired 1960-01-07 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 1

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