All episodes Season 3 S03E06 1961-11-16 60 min 1950s ABC

The Untouchables

Loophole

TV Flash files “Loophole” as hour 66 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 6, aired 1961-11-16, 60 min.

From the desk

How this hour is filed

This leaf is S03E06: listed hour 66 of 118 in the The Untouchables guide, hour 6 of 28 in season 3. It aired 1961-11-16 (60 min). The listed hour before it is “The Matt Bass Scheme” (S03E05). Next is “Jigsaw” (S03E07).

The Untouchables — Loophole (S03E06)

Catalog log

Broadcast listing — not a TV Flash recap.

Morton Halas is an aggressive and very successful defense attorney who will stop at nothing to get his clients off. Having successfully defended Big Mike Probich he finds himself working for Larry Coombs, another small-time mobster who has ambition to rise to the top. Coombs and his top enforcer Whitey Metz decide to knock off Probich and take over his network. They succeed but things don't go as smoothly as planned and Eliot Ness soon has an eye witness who can identify both of them.

Viewer FAQ

Where does Loophole sit in the The Untouchables guide?

S03E06 is listed hour 66 of 118 — hour 6 of 28 in season 3, season 3 episode 6.

When did The Untouchables S03E06 air?

Loophole aired 1961-11-16 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 3

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