All episodes Season 4 S04E14 1963-01-08 60 min 1950s ABC

The Untouchables

The Speculator

TV Flash files “The Speculator” as hour 102 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 14, aired 1963-01-08, 60 min.

From the desk

How this hour is filed

This leaf is S04E14: listed hour 102 of 118 in the The Untouchables guide, hour 14 of 30 in season 4. It aired 1963-01-08 (60 min). The listed hour before it is “Search for a Dead Man” (S04E13). Next is “The Snowball” (S04E15).

The Untouchables — The Speculator (S04E14)

Catalog log

Broadcast listing — not a TV Flash recap.

Leo Stazak is a small time con artist on the periphery of the mob and he decides to con Frank Nitti in a stock scam. Stazak is a fast talker and an expert liar who quickly gains Nitti's confidence. Soon, the big man has entrusted half a million dollars to Stazak who has been printing fake stock certificates. Ness is also on to Stazak's printer and it doesn't take long for Nitti to realize what is going on.

Viewer FAQ

Where does The Speculator sit in the The Untouchables guide?

S04E14 is listed hour 102 of 118 — hour 14 of 30 in season 4, season 4 episode 14.

When did The Untouchables S04E14 air?

The Speculator aired 1963-01-08 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 4

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